How To Swim in Symbolic Waters

In ancient times, the sea was the home of Chaos.

I could write that the sea symbolized chaos, but that word symbol is too easily brushed aside. As if symbols are merely tame bits of literary frippery with no power to unleash the deepest truths of our lives. Like opening the floodgates.

To the sea.

For these ancients, the sea was unfathomable. The sea bedded monsters. The sea could surge forth, at any time, and swallow up land, homes, lives.

Death, darkness, oblivion, terror. This was the sea.

 

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And if you love beach vacations and find it hard to understand how the play of light on dancing waves could ever have been a harbinger of doom, then you will read the twenty-first chapter of the book of Revelation with surprise. And disappointment.

Then I saw “a new heaven and a new earth,” for the first heaven and the first earth had passed away, and there was no longer any sea. (Revelation 21:1)

But if you are like me, you will sigh with longing.

If you are like me, the mere act of sifting through an overfull kitchen drawer for a thermometer hiding somewhere in its depths while the milk you had intended to turn into yogurt boils away on the stove is all it takes for Chaos to begin seeping in.

A moment later and the failed yogurt, the waste of good milk, the scorched pot and the murky kitchen drawer have caught you in their surge. One glance around and you are lost in an ocean of legos and marbles and bits of paper from the morning’s craft and a sticky puddle you cannot explain.

Now you are drowning because it is so humid and your kitchen is a furnace and the baby, the beautiful curly-haired baby, abandoned the slip’n slide after five minutes and is now tracking wet grass and clumps of mud from kitchen to dining room to entryway rug.

One day there will be no sea.

 

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Yes, the sea is a symbol and my kitchen drawer is a symbol and whoever told you a symbol isn’t real? Whoever said it was not possible to drown in symbolic waters?

But if it is possible to drown, it must also be possible to swim. It must also be possible to open your eyes and observe the play of light on dancing waves.

To stand before the unknown and the unmanageable and discover, not the hiding place of terror, but the birthplace of beauty.

 

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Reunion Days

I’ve written about my extended family before.

These are almost always stories of absence. The cousins we have yet to meet. The grandparents we too rarely hold. Family, for us, is always too much or too little.

I am a foreigner to my own family,

a stranger to my own mother’s children.

(Psalm 69:8).

Our lives are stretched across too many time zones. My father has always said it is a good thing our country is not any larger because then we would only live farther apart. But with one sister’s imminent move to Hawaii, our country has suddenly grown much larger. And we will, indeed, live farther apart.

But summer days are reunion days, and through some miracle of spirit and frequent flier miles, we came together.

They say absence makes the heart grow fonder, and I have found this to be true. But now I know that absence grows other good fruit. Because the holes in our lives where family might be do not stay empty. These gaps and fissures turn out to be fertile ground for things like hospitality and community. Friendship and adventure. Without family to lean on, we become needy, but these needs are always met.

We come together and discover that we do not have less but so much more. We have family, and we have friends. We have family, and we have neighbors. We have family, and we have our communities. We have family, and we have life in abundance.

We have more.

May your deeds be shown to your servants,

your splendor to their children.

(Psalm 90:16)

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Perfect

It is summer.

Like the season itself, there is no ambiguity in this statement. It is a fact as plain and self-evident as the sun that now rises straight up to the top of the sky or the green tomatoes waiting on their vines.

In one of those rare congruences, the academic calendar and the moon calendar and every kind of calendar we might consult in this house agree that it is now summer. And most convincing of all, the fireflies are back. In the evening, I can see small, dancing pinpricks of light everywhere I turn. They flash and flash, and I imagine a crowd of fairies practicing their nighttime photography.

All month long, I have been tempted to use one particular word. I am tempted by the low humidity and the cool breeze. I am tempted by the first blooms on the rose bushes I planted in March. I am tempted by the orderly lushness of the green garden. Broccoli and carrot tops and kale exploding along their neat rows.

I want to say, but then I do not say: It is perfect.

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I talk myself down from that word every time. Because tomorrow it will be hot or because the beetles will begin chewing on the rose leaves any day now or that lettuce will surely bolt (and turn bitter) in a week.

But I have confused perfection and permanence. Whoever told me that perfect is only perfect if it lasts?

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My son and I share a June birthday. He is, has always been, a good and perfect gift. I can remember him at six months old and how I wanted him to just stay. Like that. Forever. I had already seen my daughter, my firstborn, turn from fussy baby to fierce toddler to fiery preschooler, and I had celebrated and mourned each beautiful transition. But I wasn’t sure I had the energy to do it all again. I thought my chill little baby boy was just perfect. Today, he is eight, and that, too, seems just about perfect.

But perfect isn’t permanent.

We celebrated our birthday with a canoe ride down the Brandywine River. The Brandywine River is as sweet and magical as it sounds. We paddled, we drifted, we observed the round stones of the riverbed through a few shallow feet of clear water, and I watched the back of my little boy’s head. From where I sat at the rear of the boat, I could hear him whispering over and over, “This is amazing. This is just great.”

This is perfect, I wanted to say. But I didn’t.

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Thad

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I used to think that earth was the place of imperfection and heaven the place of perfection. I used to think that this life was imperfect and death was the door toward perfect. I used to think that this world was change and impermanence and that other world? That’s where everything stays the same, forever.

But I no longer think it is quite so neat. I no longer believe the lines are so thickly drawn. And this is good news.

Today, I think that the kingdom of heaven Jesus spoke of so powerfully is more like a river. And that river is breaking out in deserts all over this place. And in so many corners of my shifting, changing life.

And I am determined. When perfect bubbles up, I will no longer avert my eyes. I will no longer bury it in a flurry of doubt and pessimism (it won’t last, it isn’t real, nothing is ever perfect).

Instead, I will dive in. I will say, this river is leading me home.

This Is Not My Calling (But He Calls)

It is June, and I count my blessings.

Vines dripping in snap peas. Bowl after bowl of strawberries. Lettuces grown so large, I cradle one leafy head like a toddler in my arms. And carrots. I’ve never had much luck with carrots, but, this year, carrot tops are waving in the breeze like a dense fern forest.

And these are not my only blessings. Four wild, whooping noisemakers munch on raw peas and hunt for strawberries. Two boys can usually be found up a tree. One small girl runs after the kitties, grabs small green cherries from the low-hanging branches of the sour cherry tree, and never looks back at the big sister who follows, calling, “Elsa, come back. Elsa, are you ready to go inside?”

Yet even blessings can weigh you down and wear you out. Four small faces sticky with berry juice seem to ask more of me than I have to give.

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found

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We like to speak of callings. We acknowledge the dignity of difficult work when we say I am called to this.

And parents do the same. I am called to mother. I am called to father. But I have always imagined a calling to be like the revelation of something already there. God has called me to be a writer. God has called you to be a teacher. Or an encourager. Or a farmer. This is calling as the meeting place of God’s work and your talent.

Which is why I have never said I am called to be a mother. I am blessed, richly blessed, with four young children, but I have no particular talent for the work involved. On tired afternoons, I might even say my need for quiet, alone time makes me especially unsuited for the job.

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Perhaps I have misunderstood the word. Perhaps a calling has nothing to do with talent or giftedness or any kind of suitability at all. Was a poet shepherd suited to battle giants? Was a young boy asleep in the temple especially gifted at hearing the voice of God?

It seems he wasn’t. Three times Samuel got up from his bed having confused the voice of heaven’s King with the voice of his master Eli.

And so I acknowledge all the ways I can never measure up to the blessings I’ve been given. But I will follow in Samuel’s incompetent but faithful footsteps. I will say, “Speak, for your servant is listening.”

And I will tell of what I hear.

Because our God calls.

These Farmhouse Bookshelves

I sometimes worry that I have run out of books to recommend. Surely I’ve shown you every single book worth its shelf space in this old farmhouse?

But then I glance at my lap (there is almost always a book in my lap), and I realize that some of the books I love the most, some of the books I am so used to seeing, always at hand, are books I’ve never mentioned in this space.

Over the next few Saturdays, I will tell you about those books. They are the books I trip over on my way to the bathroom in the middle of the night. They are the books I find splayed and dusty underneath my little boy’s bed. Alas, they are the books most likely to sport ink or crayon marks from the budding baby-girl artiste.

They are rarely new or hip or trendy. I probably haven’t bothered to review them on Goodreads. But they are my constant companions.

And I hope you learn to love them, too.

(P.S. These posts contain affiliate links. Find all my book recommendations here.)

 

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Quite a few of these special books are illustrated by Tasha Tudor. I have recommended one of her books before. It may be my favorite picture book I never read as a child. Recently, I pulled our copy of  1 Is One down from the shelf. I’m fairly certain I bought this book as a first birthday gift for my oldest (which means it’s been on our shelves for nearly a decade).

This is a counting book (1 is one duckling swimming in a dish, 2 is two sisters making a wish …), and every child deserves to learn their numbers by counting twinkling stars (18!) and baby birds (12!). It features Tasha’s signature watercolors, old-fashioned settings, and naturalistic details. I am pleased as punch to report that one-year-old Elsa now adores it. We never read it unless we read it three times through.

Tasha Tudor was a prolific illustrator, and her books are fairly easy to find at used bookstores and thrift shops. I still remember the pleasure of finding her edition of Robert Louis Stevenson’s A Child’s Garden of Verses at the Printer’s Row Book Fair in Chicago.

Though she published her first picture book in the 1930s, Tasha and her books seem to come from a much earlier time. Apparently, she believed, only half-jokingly, that after dying she would return to her home in the 1830s, a strange sentiment I’m afraid I can relate with all too well. There is still a small part of my mind that believes, against my better judgement, that life would be so much better if I had twenty-two tiny buttons marching up my boots and was skilled with a button-hook (a romanticism inherited by my daughter who sighs deeply and says she wishes she were Amish every time she spies a little girl wrapped in bonnet and shawl).

These illustrations are like miniature worlds, and they are worlds I long to recreate. This may be why I spend so much time with two books written for adults: The Private World of Tasha Tudor by Tasha Tudor and Tasha Tudor’s Garden by Tovah Martin.

These large photography books take you inside the beautiful eddy in time that Tasha created at her Vermont farmhouse. Full of antique clothes and toys and cottage-garden flowers, these books prove that Tasha created her paintings from life. She dreamed it. She cultivated it. And then she painted it.

I do not actually own either of these books, but I have checked them out of my local library so many times that I really should buy both (but I might wait a few weeks since my birthday is June 23, ahem).

I especially love Tasha Tudor’s Garden. The writing is a bit too hero-worshipful, but I could live in the pictures.

Tasha’s ideas about plants are quirky and idiosyncratic, and I find that they give me permission to garden just as personally. I happen to love African violets, but their velvety leaves make Tasha shudder. I’ve always been skeptical of daylilies, so it’s a relief to read that Tasha finds them “raggedy.” And I have shamelessly copied the formula of her peony beds by planting a mass of peonies with lily bulbs to bloom after and edging the whole affair with purple verbena.

In researching this post, I discovered that Tasha illustrated a picture-book version of Psalm 23 (The Lord Is My Shepherd: The Twenty-third Psalm) and the Lord’s Prayer, or “Our Father” (Give Us This Day). It is possible that I purchased copies of each before finishing this post.

Life isn’t long enough to do all you could accomplish. And what a privilege even to be alive. In spite of all the pollutions and horrors, how beautiful this world is. Supposing you only saw the stars once every year. Think what you would think. The wonder of it!”

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This is Now (This is Always)

This is Now (This is Always)

… for history is a pattern / Of timeless moments.

– T. S. Eliot, Four Quartets

The kids and I are reading the Little House books. One chapter each night. We began with Farmer Boy and a fire in the old stone hearth. Now we are in the big woods of Wisconsin, and there is birdsong through our open window.

It is also haying time in the fields west of this house. When we drive in that direction, to buy chicken feed from the feed and lumber store or flats of annuals from a greenhouse, we watch teams of muscled, shaggy horses at work in every field. They look as if they have been plowing the same red-clay soil for two hundred years. Day in, day out.

Sometimes there is a young boy holding the reins. He wears suspenders and a straw hat, and together we wriggle to keep from pointing and shout “Look! Farmer Boy!”

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In this place, when the breeze carries the bracing smell of hay, just-cut, I am able to understand something about time that is normally hidden from me.

Time is not a line carrying us always farther from the past. Time is not a thread, and we are not simply biding it until the day ours is cut.

These days, in Lancaster County, I can see that time is a spring. Past and present and future bubble up together, and the sound is like music. Like the clip-clop of horses’ hooves. Like birdsong through an open window.

But my children appear to be lines racing, racing away from me. Willowy is the word that comes to mind when I observe my firstborn girl. For nearly two years, I’ve seen her baby face when I look at my youngest, my second girl, but that face is now lost. Elsa Spring has grown into herself. There is a family resemblance, yes, but more and more she looks only like Elsa. Something has been shed, and the lines of her eyes and chin are now hers alone. No longer her older sister’s.

And thus, two baby girls vanish from every place but memory.

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I don’t really know if I am living in a country of lost things or a kingdom of restoration and everything made new. I look around, I read the news, and I find both. Hopelessly jumbled.

We lose babies and grandmothers. We lose marriages and homes. We lose our younger selves and friendships and health and peace between nations and on and on forever, it seems.

But every new season is also a return, and the month of May, this pivot between spring and summer, reminds me that it is possible to root myself in that bubbling spring. To live sure of what I cannot always see: that time is not linear but rhythmic. It is a song where every note returns and every note is new.

And this is the living water that sustains me. This is the living water I hold out. To my racing children. To my thirsty neighbor.

Maybe eternity begins when I read a favorite story for the third, fourth, fifth time.

Maybe eternity begins here. Now.

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