A Poem for Your Monday

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This poem is well suited to November’s darker days.

The changing of the clocks seems like an example of humanity’s authority over its own environment, and yet it always reminds me just how out-of-our-control day and night, light and dark truly are. The days will grow shorter, no matter our efforts or anxieties. Nature will begin to die. We will too, come to that.

This poem suggests that embracing the inevitable (whether it be the changing of the seasons or death itself) need not be an act of despair. It can be an act of great trust.

Technically, I should call this a pastoral poem, but, to me, it always reads more like prayer.

 

                    Let Evening Come

          Let the light of late afternoon

          shine through chinks in the barn, moving

          up the bales as the sun moves down.

 

          Let the cricket take up chafing

          as a woman takes up her needles

          and her yarn. Let evening come.

          Let dew collect on the hoe abandoned

          in long grass. Let the stars appear

          and the moon disclose her silver horn.

 

          Let the fox go back to its sandy den.

          Let the wind die down. Let the shed

          go black inside. Let evening come.

 

          To the bottle in the ditch, to the scoop

          in the oats, to air in the lung

          let evening come.

 

          Let it come, as it will, and don’t

          be afraid. God does not leave us

          comfortless, so let evening come.

                    – Jane Kenyon

 

On Living Without

date night

I believe in stories more than advice. In other words, I believe that a light is shined on our way forward, not when we finally hear the exact, right piece of advice, but when someone shares their story with us.

True stories contain all of the messy, untranslateable details of a life. Somehow, they also point us toward the maker of life.

I wish I could tell you how to live without the kind of community I described earlier this week. I wish I could tell you how to get it back. I even wish I could tell you that developing that kind of community in your own setting is the most important use of your time. But I can’t tell you these things.

If this whole Jesus-following-way-of-life is truly a relationship (as I’ve been hearing all my life) then we need to stop comparing our circumstances with everyone else’s. My marriage to Jonathan is fifteen-years-old (or fifteen-years-good), and it makes no sense for me to look at those still-awkward newlyweds and wonder why our lives are so different. Other than the fruits of the spirit, I’m not sure there are many things we can point to in order to say “that is a good Christian life” and “that is not.” At times Jesus walks us through joy and other times he walks us through trouble, but we can be confident in both that he has not and will not abandon us.

I lived in community for ten years, and it was good and it was painful, and I hope I haven’t said goodbye to that way of life forever. I could beat my head against my Bible wondering why my life no longer looks like that and how to get it back, or I can accept that when God empties our lives he also fills them up again. Not with the things we are missing, necessarily, but with himself.

In this world, we are wanderers. And that is not always a bad thing, not always a sin thing. We can wander quite a distance pursuing the good things of God’s kingdom on earth. Still, there’s little rest in wandering, and God knows we need rest. But where to find it?

God’s people “wandered over mountain and hill and forgot their own resting place” (Jeremiah 50:6).

Sometimes we need silence and emptiness, loneliness and barrenness in order to remember. We need winter.

The four walls of my suburban existence can feel like a prison, but they have been just the thing for feeling the heavy, holy pressure of God’s hand on me.

“You hem me in – behind and before; you have laid your hand upon me. Such knowledge is too wonderful for me, too lofty for me to attain.”

Psalm 139: 5-6

Why Life Shared is Life Abundant

Taken by Yours Truly at Chicago's Art Institute. This painting, with its people like stone columns, always reminds me that living in a crowd is not the same thing as living in community.

Our airplane tilts away over city rooftops, and I feel as if I am leaving home in order to return to a house. It is not an altogether blue feeling (it is a house inhabited by my favorite people, after all), but it is disorienting. An emotional confusion to match a physical one; as the plane banks, I can no longer tell if I am pointed toward ground or sky.

I’ve spent four days trying to understand what I left behind when I moved away from Chicago. It seems important to do this, because I do not yet know if my life is a straight line heading always away from it or a curve that will one day return. I think the only word for what has been lost is community, but that word seems beyond inadequate.

In Florida, when my husband leaves for a business trip, I lie awake wondering who I would call if one of the children had an accident or became suddenly ill. I know that there are people in our neighborhood and people in our church who would graciously, even eagerly, help out, but it would involve some tracking down of phone numbers and many apologies for having “bothered” them in the middle of the night.

Living in community meant that there were no apologies.

We frequently woke to midnight phone calls, whispered midnight prayers for friends in crisis, made beds on the floor for small children whose parents were racing to hospitals. I have rushed behind a curtain in the emergency room to find a friend sitting at my son’s bedside: the friend who held him down for the epi-pen, the friend who drove him to the hospital.

But community is so much more than a safety net.

It is a web of interdependence that is often uncomfortable, even painful. It is the downstairs neighbor who calls (again) because my children are pounding on her ceiling (again). It is the woman pushing the stroller down my street who asks me (again) for bus money. Walking near my old building this week, I saw her, remembered her, and was not at all surprised when she stopped me to ask for money. I passed her again on my last evening in Chicago, and she asked (again) for money. I hand over my bus pass knowing that she will always need, and I hope, for Jesus’ sake, that someone will always be there to give.

Community is trying to keep the kids quiet in the kitchen in order that the group of church ministry leaders meeting in the living room won’t be disturbed. Community is making the bed in the spare room for friends of friends. Community is waking up early to make them breakfast, too.

Community is being inconvenienced.

It is straightening up the living room in order to host a weekly gathering for a church small group when all you want to do is climb into bed. Community is when the unmarried, male graduate student from that same small group surprises you with home-cooked Indian food two weeks after your baby is born.

Community is life in abundance.

This is the gift of the one who made us (the one who said it is not good to be alone): to be poured out again and again in order to be filled again and again. Of course, I am not talking about martyring oneself so that bitterness and resentment destroy all hope of relationship. But I have seen that when I open my hands to give until it hurts I receive … oh, I receive so much in return.

On Sunday, I sat once again in my former church. I was joined by a friend, and we both had tears in our eyes just for the joy of sitting next to one another. She turned to me and whispered, “This is our life,” and I knew just what she meant.

This is our life: it is real, it is now, it is beautiful and difficult, and, above all else, it is shared.

A Poem (and a Memory) for Your Monday

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For the past few days, I’ve been back in Chicago, remembering with my feet as I walk the familiar slate sidewalks.

If poems had mailing addresses, this one would surely be marked Chicago, the Southside.  

Winter hasn’t yet arrived, even in Chicago, but I’ve been reliving one particular winter memory. It was my first winter here, and the heavy skies were unburdening themselves of a record amount of snow. In early December, I sat at my writing desk trying to complete my first graduate seminar paper. Hunched close to my window, my Texas-bred eyes couldn’t stop wandering toward the snow-globe view.

Everything outside had been erased by the whiteness, even the people and the cars had disappeared. But then I saw a black parade slowly winding its way in front of my building. A hearse, a limousine, followed by a patient tail of black-flagged vehicles: I knew, without being told, that this was for Gwendolyn Brooks.  Her death, on December 3, had been in all the papers and on every channel.

I can’t remember if the memorial was open to the public. I don’t think I would have made it to the university’s gothic chapel anyway, not through all that snow, not with a paper keeping me at my desk.

The chapel is beautiful, but it isn’t a poem. The slow slash of black in a washed-white world: that was a poem. I’m sure I could never fully capture what I saw in words, but there’s really no need. Gwendolyn Brooks had already done it.

                                                Cynthia in the Snow

                                It SHUSHES

                                It hushes

                                The loudness in the road.

                                It flitter-twitters,

                                And laughs away from me.

                                It laughs a lovely whiteness,

                                And whitely whirls away,

                                To be

                                Some otherwhere

                                Still white as milk or shirts,

                                So beautiful it hurts.

                                               –     Gwendolyn Brooks

Sacred Idleness

Beau & the beater

It’s a mystery. One day (in a succession of many, many such days) you are a still and brackish puddle of water. No movement. Not much life. Then, something imperceptible happens. Perhaps, Someone breathes just a bit of Himself over the stillness? And the still puddle begins to trickle. It’s no river, certainly, but there is just a hint of movement, just a hint of renewal. Some fresh spring has begun to flow.

Nine months ago I began writing a story. My story. For the past five months the draft of that story has sat, locked in my computer, untouched. But this week I opened it up again. I started rewriting, tweaking, adding new thoughts.

It feels good to be at work again.

The only problem is that I’m feeling, here at the end of the week, just a bit dried up where words are concerned. Perhaps it’s only laziness, but I feel better remembering George MacDonald’s words: “Work is not always required. There is such a thing as sacred idleness.”

 I’m giving myself over to idleness for the next few days. Let’s hope it’s of the sacred sort.

Meanwhile, since I have few words of my own today, here are the words (and a few images) I’m carrying with me into this weekend:

“I am the Lord your God, who brought you up out of Egypt. Open wide your mouth, and I will fill it.”

Psalm 89: 9-11 

Beau & the beater

Beau & the beater

A Poem for Your Monday

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This comes from one of my favorite poets, the Irish writer Eavan Boland.  

Reading it again this morning, I remember that myths are some of the truest stories we tell.  The myth of Persephone is not merely a way of explaining the change of seasons before our age of scientific discovery.  More than this, it is a story of loss and restoration.  This poem reminds me that I have been Persephone.  It also reminds me that my oldest child is swiftly becoming Persephone.  I say, with Boland, that I will not deny her her own unique life story, though no good story is without pain.

 The Pomegranate

The only legend I have ever loved is

The story of a daughter lost in hell.

And found and rescued there.

Love and blackmail are the gist of it.

Ceres and Persephone the names.

And the best thing about the legend is

I can enter it anywhere.  And have.

As a child in exile in

A city of fogs and strange consonants,

I read it first and at first I was

An exiled child in the crackling dusk of

The underworld, the stars blighted.  Later

I walked out in a summer twilight

Searching for my daughter at bedtime.

When she came running I was ready

To make any bargain to keep her.

I carried her back past whitebeams.

And wasps and honey-scented buddleias.

But I was Ceres then and I knew

Winter was in store for every leaf

On every tree on that road.

Was inescapable for each one we passed.

And for me.

It is winter

And the stars are hidden.

I climb the stairs and stand where I can see

My child asleep beside her teen magazines,

Her can of Coke, her plate of uncut fruit.

The pomegranate! How did I forget it?

She could have come home and been safe

And ended the story and all

Our heartbroken searching but she reached

Out a hand and plucked a pomegranate.

She put out her hand and pulled down

The French sound for apple and

The noise of stone and the proof

That even in the place of death,

At the heart of legend, in the midst

Of rocks full of unshed tears

Ready to be diamonds by the time

The story was told, a child can be

Hungry.  I could warn her. There is still a chance.

The rain is cold. The road is flint-coloured.

The suburb has cars and cable television.

The veiled stars are above ground.

It is another world.  But what else

Can a mother give her daughter but such

Beautiful rifts in time?

If I defer the grief I will diminish the gift.

The legend must be hers as well as mine.

She will enter it. As I have.

She will wake up. She will hold

The papery, flushed skin in her hand.

And to her lips. I will say nothing.

          – Eavan Boland

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