by Christie Purifoy | Nov 4, 2013 | Autumn, Community, guest post, Pennsylvania, Seasons, Stories, Uncategorized
There is something about autumn in this Pennsylvania countryside that turns my mind to ghost stories.
When the fog curls around the trunk of the weeping willow, I half expect to see the headless horseman ride by.
When I pass the field where the Hessian soldiers camped before they joined the redcoats, I think I almost see their faded muskets between the trees.
There aren’t many places left in our world where the past feels so near. So everpresent.
Truthfully, I’m not sure I believe in death when I cross vast parking lots or stand beneath fluorescent lights. But I am learning. This place of somber black horse-drawn buggies, covered bridges, and old stone farmhouses is working a change in me.
I am learning that fluorescent light and concrete don’t tell the truth. I am learning that some realities can only be glimpsed in the low, golden light of Autumn.
I’m sharing a story about a covered bridge and a cloud of witnesses. I hope you’ll click through to read it at Living the Story (via BibleDude.net).
by Christie Purifoy | Oct 21, 2013 | Dreams, Florida, Grateful, Home, Pennsylvania, Uncategorized
“The language of souls is their desire.” – Gregory the Great
Desire.
Like every good thing, it can be twisted. Exhibit A may be the wandering Israelites and their golden calf, but exhibits B through Z are not hard to find. No need even to name them.
Well aware of exhibits A through Z, desire begins to look dangerous. It begins to look like fire. Afraid of being burned, we push it aside, we cover it up, we warn our children about playing with fire, and we forget. We forget how much we need that life-giving warmth.
I can remember the day my Sunday New York Times magazine flipped open to a photograph of an old, rambling farmhouse. I sat in my Florida ranch home with its persistently green vegetation, and the desire I felt for that other house nearly knocked me out of my seat.
In the picture I could see trees turning orange, pumpkins on the porch, and a tower room that looked perfect for a writing desk. I imagined children (a bigger crowd than my own three) running across the lawn, while someone (couldn’t be me) watched from the windows. I pictured a henhouse and vegetable garden off to the side, and a woman writing stories in the tower room (of course, she wasn’t me; the only thing I’d ever written was a dissertation and that was an experience I was not eager to repeat).
In that image, I could see an entire life. It looked beautiful, but it could never be mine. I didn’t even consider it. That would have been like considering a trip to the moon.
I was a mother of three (there would be no more), I had recently applied for a tenure-track professorship at a small Florida liberal-arts school, and I was, however reluctantly, mapping out a future among the palm trees.
But those northern maples were blazing in my magazine, and I could feel their heat through the page.
Here is a long story made very short: God was speaking to me, and the medium of communication was desire.
It is a dangerous thing to listen to that voice. One day you are living reasonably, making reasonable plans, and fulfilling every obligation and expectation, and the next? You are on your knees warming your hands over a magazine picture until … you are consumed.
You have played with fire, and your life will never be the same.
Praise be to God.
by Christie Purifoy | Nov 19, 2012 | Family, motherhood, Poetry, Seasons, Uncategorized
My firstborn holds my fourth and all I can think is how much time gives us and how much it takes away.
I looked forward to autumn for ages, it seems, and now, suddenly, we have tipped over into frosts and bare trees. Is it any wonder, holding this tiny baby and reading this book to the nine-year-old, that I want to slow everything down? Time, itself, included?
Later, arms emptied by bedtime, I read “In Season.” Now I wonder, would I really see these two daughters, and in seeing, love them, if I weren’t prompted by the shifting season?
If the season were as endless as this poem’s tea-cup climate would I be content, like the tea-cup couple, to hold my family at arm’s length? To love them, but only in convenient ways?
In Season
The man and woman on the blue and white
mug we have owned for so long
we can hardly remember
where we got it
or how
are not young. They are out walking in
a cobalt dusk under the odd azure of
apple blossom,
going towards each other with hands outstretched.
Suddenly this evening, for the first time,
I wondered how will they find each other?
For so long they have been circling the small circumference
of an ironstone cup that they have forgotten,
if they ever really knew it, earth itself.
This top to bottom endlessly turning world
in which they only meet
each other meeting
each other
has no seasons, no intermission; and if
they do not know when light is rearranged
according to the usual celestial ordinance –
tides, stars, a less and later dusk –
and if they never noticed
the cotton edge of the curtains brightening earlier
on a spring morning after the clocks have changed
and changed again, it can only be
they have their own reasons, since
they have their own weather (a sudden fog,
tinted rain) which they have settled into
so that the kettle steam, the splash of new tea are
a sought-after climate endlessly folded
into a rinsed horizon.
– Eavan Boland
by Christie Purifoy | Nov 8, 2012 | God's promises, Home, Pennsylvania, prayer, Uncategorized, Work
A few people have recently asked if this place feels like home yet.
I haven’t been sure of my answer. I know that it is home, but does it feel like home?
Lying in bed last night, I finally puzzled it out. It seems presumptuous to call this place – the old brick house, the long maple-lined drive, the falling-down barn – my home. I haven’t earned it yet.
The house has been here for more than 130 years. The farm for longer than that. The stone remains of the ice house and various other outbuildings (we’ve taken to calling them “the ruins”) testify to just how long this place has been cultivated, lived in, and cared for.
How can I waltz in and call it my home?
I need to sweep a few more floors, plant a few more trees before I can feel comfortable making that claim.
And we will plant those trees. We’ll wait for late winter or early spring, and then we’ll dig in four fruit trees. One for each of our babies.
We have plans for blueberry bushes, a few more maples to fill in the gaps, and I’m trying to decide exactly where to carve out the asparagus bed.
Did you know that asparagus can come back every spring for twenty years or more? Placing that bed is a big decision. It matters.
Or, does it?
I can remember someone in the Christian circles of my childhood saying this: “The only things which last forever are the souls of men and the word of God.” I can’t remember who said it, and I can’t remember (or perhaps never knew) if they were quoting someone else.
I can remember, even as a kid, feeling the rift between how those words were supposed to make me feel (focused, committed, inspired) and how they actually made me feel (depressed, primarily). And now I know why: those words aren’t true. They leave out too much.
They leave out fruit trees and asparagus.
Clean floors and campfires.
Friendship.
Love.
Home.
God is making all things new, and our lives, our daily this and that, are a part of that great project. This is an old place, yes, but it, like all other good things, is being renewed.
In God’s kingdom, the stuff of earth can become so much more. This is true of bread and wine. It is also true of bricks and trees.
Our bricks.
Our trees.
For His glory.
Amen.
by Christie Purifoy | Nov 5, 2012 | Art, Books, Faith, Pennsylvania, Poetry, Uncategorized
I watched these old, old maples bend in the wind of that hurricane. Because they yielded, they are still standing.
That is how I want to live. I am more and more sure that art and beauty and love grow best not by raging against the wind (or the storm, the dark day, the hard, unasked-for circumstance). They come through yielding.
To yield is not to give up. It is not throwing up my hands in defeat. This yielding is more like being carried. It is moving with what moves and watching – always watching – for the One who does the moving.
And then singing of what I see.
Vow
The need to work this land to fit my wants
I yield. I vow no more to walk with plans
like gossip falling from my mouth. I choose
to go in silence, learning, in my sure
refusal, the truth that yields to yielding.
At Equinox, before the flood of light
sets water loose, I covenant to give
the downward rush beneath the grass its head.
I’ll dam no stream. I’ll dig no pond. Nor will
I plant willows to suck the wet spots dry.
My work shall be to say the nature
of Creation’s slow unfolding, to name what
becoming new has always been, to praise
what lives without my praise unto itself.
– John Leax
