These Farmhouse Bookshelves

I like to think of myself as an adventurous reader. A curious reader. A willing-to-give-it-a-go reader.

Truthfully, there are quite a few things that almost always trigger a “No, thanks,” from me. Almost always, that is. This Saturday, I bring you a few of those books I still don’t know why I read. But I’m so glad I did.

 

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The descriptor ripped-from-the-headlines is a major stop sign for me. I can’t even watch Law and Order. I appreciate the headlines and the stories behind them (mostly via NPR). I love utterly fantastic, creative storytelling. I don’t like any mixing of the two.

In my view, the truth is generally more incredible than fantasy. Also, excellent fantasy is generally more truthful than reality.

Here’s the exception: Room: A Novel by Emma Donoghue. Actually, this book also defies another of my stop signs: never read a book in which terrible things happen to a child.

I wish I could remember why I ever picked up this book, but, heavens, am I glad I did. This is the story of a little boy who has never known anything but a single, small room. He is the child of a young woman who was kidnapped and is being held prisoner in a backyard shed.

I know I’ve already lost a few of you, but I hope you’ll stick with me. Truly, this is one of the most incredible novels I have ever read.

Because Donoghue tells her story from the little boy’s perspective, our overwhelming impression is one of wonder, never horror. The skill with which this child and his world are depicted simply boggles my mind. In fact, writing this, I am itching to read this one again. Just so I can figure out how she did it. Because what she has done is amazing.

This is a beautiful story. It will leave you in awe of the power of a mother’s love. It has an exciting, page-turning plot (will these two incredible people escape their imprisonment??). Finally, it has an emotionally satisfying ending.

Room breaks all my rules and does it beautifully.

Stories are a different kind of true. – Emma Donoghue in Room

Another of my rules? I don’t do literary adaptations. The sequal to Peter Pan? An update on Hamlet? Noooo! They can never equal the original, and they strike me as creatively lazy. Derivative. Come up with your own characters, why don’t you!

But, then I read The Flight of Gemma Hardy: A Novel (P.S.) by Margot Livesey. You could call this a retelling of Jane Eyre. Like me, you are probably thinking, “Why not just read Jane Eyre?” And, yes, if you haven’t, you should.

But thanks to Livesey, I think I now see the point of retellings, adaptations, and imaginative sequals and prequals. Art doesn’t exist in a vacuum. It creates echoes and other artists, in other places and other times, respond to those echoes. It is as if The Flight of Gemma Hardy is in conversation with Jane Eyre. It helps us to see the old classic with new eyes, and it is, in itself, a beautiful work of art.

Running, I soon realized, was the best way to stay ahead of fear. – Margot Livesey in The Flight of Gemma Hardy

One final no-go: gimmicks. I don’t like them. Also, anything that seems needlessly disrespectful towards the things I hold most dear. So, why I ever read The Year of Living Biblically: One Man’s Humble Quest to Follow the Bible as Literally as Possible by A. J. Jacobs is beyond me.

First, this book is hilarious and slightly gimmicky, but it is written with earnestness and humility. Jacobs really does want to understand the Bible and the many ways people profess to live it out, and he shares his growing wisdom with us.

In the end, this memoir is funny but it’s no joke. With curiosity and empathy, Jacobs encounters Biblical literalists from the Amish in Pennsylvania to Samaritans in Israel all while trying (and failing) to live the Bible as literally as possible. At the end of his experiment, Jacobs is humbler and wiser.

And so are we.

I’m still agnostic. But in the words of Elton Richards, I’m now a reverent agnostic. Which isn’t an oxymoron, I swear. I now believe that whether or not there’s a God, there is such a thing as sacredness. Life is sacred. The Sabbath can be a sacred day. Prayer can be a sacred ritual. There is something transcendent, beyond the everyday. It’s possible that humans created this sacredness ourselves, but that doesn’t take away from its power or importance. – A. J. Jacobs in The Year of Living Biblically

Find previous book recommendations here: week one, week two, week three, week four, week five, and week six.

 

Why We Keep Going to Church

 

We married young and hit the road.  All we wanted was Texas dust in the rearview mirror. The rumble of the El was our siren song.

We weren’t afraid because we carried this around like a turtle shell: Church.

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just up the road

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Baptist, Catholic, Greek Orthodox, Church of Christ … ours was a messy family stew that had finally deposited us both in a non-denominational box.

The box was what we knew. The box felt safe.

But boxes, it turns out, don’t travel well, and we were wanderers now. D.C., Chicago, Jacksonville, now this little country corner of the Philadelphia burbs.

Church has been a constant, but it’s been anything but safe. Anything but predictable. Not really a turtle shell, after all.

We thought there was one right way to do church. One right way to be the church. The way we were raised, of course.

But God kept us moving, and he kept our ideas about church moving, too. What had been small and safe became big and wild. Beautiful but unpredictable.

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National Cathedral

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I’ve been thinking about those first Christians. They were “scattered” by persection, made wanderers for God’s own purposes. They wandered, and the church grew.

As we wandered, our understanding of church grew, too.  Always bigger, always better than we knew.

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I’ve sat in a Catholic mass and realized that the Eucharist might be more than the sum of its parts. Much more than the saltines and grape juice of my childhood.

I’ve stood in a gathering of Vineyard women when the doors of our meeting-place burst open with a loud wind. I watched that wind sweep around the room but I knew those doors didn’t open to the outside. What I saw and felt was no earthly wind but Pentacost miracle.

I’ve sat in an Easter morning service when the procession of colorful vestments and golden cross was so beautiful, so celebratory, I could have wept.

I once sat in an old wooden pew. A choir lifted its voice, and I suddenly knew what heaven sounds like.

I’ve seen adults baptized in Lake Michigan.

I’ve seen babies baptized with a cupful of water.

All of it so good.

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calm

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Recently, we’ve taken to driving a long, long way to get to church. It’s something I’ve always said I’d never do. Join the imperfect neighborhood church, don’t go chasing “perfect” miles away. Perfect doesn’t exist.

But I don’t think I’m chasing perfect. I think I’m searching for home. The place where this wanderer can find rest.

Maybe this will be my church for a season. Maybe for a long, long time. Only my second Sunday there, and I was fretting about it instead of worshipping. I could hardly hear the music because I was listening to thoughts like these: Is this the place? Are we right to come so far? Will we make friends here? Or wil we set off searching, again?

The music finally broke through, and I realized what we were singing: Better is one day in your courts than thousands elsewhere.

I have been given so much more than one day. I’ve been given a lifetime of Sundays. A lifetime of small groups and youth groups. Of church retreats and coffee hours.

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We pile the kids in the car and drive and drive. We do it because we need that soft brown bread. We need that sweet red wine.

We do it because one day in His courts really is that good.

 

These Farmhouse Bookshelves: Snow Day

Every winter I am surprised to remember that the return of the light is accompanied by the coldest weather. These days are snowier and chillier, but they are brighter, too.

Old, Pennsylvania farmhouses are known for their extra deep window sills. So, these days, instead of sitting in front of the fire, I am reading my book while perched on the sill of these floor-to-ceiling parlor windows. All the better to catch every ray of this golden, late-winter light.

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Appropriately, I’ve been reading The Palace of the Snow Queen: Winter Travels in Lapland by Barbara Sjoholm. Part travel memoir, part history, this book is magical and intellectual.

Inspired by her childhood love of the Hans Christian Anderson fairytale, Sjohom helps us see the beauty of a world that is almost (but not quite) in total darkness. This book reminds us how special snow and ice can be. It also asks hard questions about the intersection of tourism and indigenous culture. We may share Sjoholm’s fascination with the Sami people, the reindeer herders of northern Norway, Sweden, and Finland, but we are not allowed to forget that they too live in the modern world. After all, some of them still herd reindeer, but they do it with helicopters and snowmobiles.

I was out of sight of the Icehotel now, far away on the snow-covered still-frozen river, sliding along on my simple kick sled, no desire to turn back yet, into the wide world, rejoicing. – The Palace of the Snow Queen

I like to think of myself as someone who collects seasonal children’s books. I imagine pulling out a basket of warm-weather themed books on midsummer’s eve and books about autumn and back-to-school in September. Truthfully, except for a few Easter titles, what I have actually accumulated is a collection of Christmas and winter books that is threatening to take over our house. (Winter! I love you, I hate you, and I am always and forever inspired by you. One of the saddest seasons of my life? The two years I spent reading Gingerbread Baby and It’s Snowing! in Florida.)

This December we added A Day On Skates by Hilda van Stockum, and I am in love. The kids are pretty happy, too.

First published in 1934, this is the (delightful! enchanting!) story of a Dutch ice-skating picnic.

I’m sorry, do I need to say more? Are you not already rushing out to buy this book? Because, truly, can you imagine anything more wonderful than spending your school-day skating frozen Dutch canals with your teacher and classmates while stopping occasionally for adventures and warm snacks?

Well, if you think you can, then I dare you to read this book. Van Stockum was a painter before she was a writer, and the full-color, full-page illustrations are … well, I don’t know what to say except this: I want to live in them! I want to wear wooden shoes, I want to join in a school-wide snowball fight, I want to see my twin brother rescued from beneath the ice, and I want, oh how I want, to eat Snow Pancakes.

In that small country called Holland, with its many canals and dykes, its low fields and quaint little villages, Father Frost went prowling round one January night, with his bag full of wonders. – A Day on Skates

Tell me there’s no need to go on?

Okay, I’ll say this one thing more: I may include amazon links for convenience, but this is where you should be discovering and buying children’s books. Yes, amazon is convenient. Yes, amazon will save you money. Yes, the big-box bookstores have a train table that keeps your three-year-old happy. However, they also have case after case of Disney-themed this and Wimpy Kid-that, and I can practically guarantee they do not carry works of art your children will always remember. No one ever wanted to live in a Captain Underpants book.

Since I’m already on this soapbox can I recommend one of the greatest short stories ever written (and, surely, it is the greatest short story featuring snow)?

The Dead by James Joyce (I own this edition: Dubliners: Text and Criticism; Revised Edition (Critical Library, Viking)) concludes the stories collected as Dubliners. If you’ve tried to read Ulysses or Finnegan’s Wake and are afraid – don’t be. This is realist fiction at its finest: highly symbolic but readable. It is the story of a middle-class holiday party. It is the story of a marriage.

Like all of Joyce’s work, there are quite a few allusions to nineteenth-century Irish history and politics. Don’t worry about all that. Your job is to enjoy the party. Feel nervous with Gabriel as he prepares his toast. Indulge his self-important fantasies about a night away with his wife, and feel his shock and pain when he realizes how little he truly knows of life, and love, and death.

Most of all, your job is to read the final paragraphs aloud. Slowly. Quietly. Close the door, if you must, and listen to these words as they float, gently, on the air:

His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead. – “The Dead”

 

Find earlier recommendations here: Week One, Week Two, Week Three, Week Four, and Week Five.

 

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