On Being an Arm-chair Girl in a Motor-boat World

reading toes

I recently bought a chair.

To be more precise, I bought an arm-chair.

This is no hard-backed dining chair. This is a reading chair, a tuck-in-by-the-window-with-a-stack-of-books-and-a-cup-of-tea-chair.

Full confession: I already had a good reading chair. With its faded green-velvet slipcover, it is soft and welcoming. It even has a small hole on the right arm, an x-marks-the-spot for the exact right place to rest my book. In our Chicago apartment, this chair sat between our third-floor window and a built-in bookcase. The ideal spot for reading; the ideal spot for thinking.

This chair still sits in the living room, but in our Florida house it has no window (the window, in this case, consisting of a sliding-glass door to the screened-in patio). A reading chair with no window is simply no good, in my opinion.

And so, I’ve been on the lookout for a new reading chair.

I’ve long kept its intended spot in mind. Because our Florida home is younger than our Chicago home (oh, by eighty years or so), the only consistently quiet spot in this house is in my bedroom (darn these contemporary “open” floor plans). If the quiet weren’t enough, the windows in this room would confirm it as the ideal place for reading: they are a tall, three-sided embrace for my writing desk with just enough room left over for an arm-chair.

And the view, you ask? Fruit trees, a spreading oak, water, and all kinds of birds.

Of course, as with any big purchase, there was no small amount of hand-wringing and budget-worrying. I want to live simply, but I recognize that my usual standards of comparison have become a bit skewed in a place where every other person appears to own a boat.

I might justify my purchase by saying, “Well, it isn’t as if I’m buying a boat.” And yet, I’ve learned that these two objects may not be all that different.

I know this because I sat next to a boat-owning businessman on my recent flight to Chicago. When he started talking to me about how much he loved living in Florida, I just smiled and nodded. I’ve learned that around here conversations tend to shut down once you admit to being more of a “cold-weather person.” It’s not hostility. Just bewilderment.

As I listened to him describe his weekends on the boat, the slow putt-putting to just the right quiet cove, I realized, with surprise, just how much we actually had in common. I understood that for some boat-lovers at least (and I’m afraid I must entirely exclude jet-ski lovers from this observation) a boat is like an arm-chair you can enjoy out on the water. It’s a place to sit, to hold a nice drink, to observe the glory of our world.

The biggest difference, as far as I can tell, is the cost of maintenance (in time and money). So, I am more than content to be an arm-chair kind of girl.

Still, it’s nice to know that I’m not quite the Florida-coast oddball I thought I was. I may not be a hot-weather person. I may not be a beach-person. I may not be a boat-person, but I know what it is to long for one inspiring, beautiful place.

I know what it is to sit in that place, quietly grateful.

Book of Quotations: Love Stoops

renaissance art

I keep a book of quotations.  It looks exactly like any other journal, but it’s for a different kind of journaling.  Journaling with the words of other writers, if you will.  Here I scribble down quotations from all kinds of books: poetry, theology, memoir, literary theory, fiction, you name it.  I write down anything I want to remember. 

Sometimes I use these quotations later, in my own writing or maybe just in conversation.  But, it isn’t really about utility.  It’s about beauty.   Language can be so beautiful it stuns.  However, I am generally reading so much, so quickly that I need a way to hold on to those beautiful bits that I just can’t bear to let wash down the stream of words, words, words.

During our recent vacation, I read Ian Morgan Cron’s Jesus, My Father, the CIA, and Me: A Memoir of Sorts

It fully lives up to its title.  Which means that the story it tells is crazy and beautiful, wise and, frequently, very, very funny.

Toward the end of his story, Cron describes the life-changing moment when he hears (or thinks he hears) the voice of Jesus asking him, Cron, for forgiveness.  These words heal an ugly wound in Cron’s heart, but they puzzle him too. 

He knows in his head that Jesus is perfect.  Knows that there can never be any reason why He would need to ask for forgiveness. 

When asked, theologians, pastors, and priests consistently fail to unravel this apparent contradiction.  Finally, a woman named Miss Annie, a woman with no seminary training, does exactly that.  She tells Cron, “Why wouldn’t Jesus humble himself and tell a boy he was sorry for letting him down if he knew it would heal his heart?”  Cron interrupts with what he knows: “But if Jesus is perfect?” 

“Miss Annie ambled the five or six feet that separated us and took my hand.  ‘Son,’ she said, rubbing my knuckles with her thumb, ‘love always stoops.’”

Since finishing the book, I’ve been considering the truth of Miss Annie’s words.  I can remember years where the things I knew about God seemed to stand like a wall between me and His love.  Learn just a little bit about God’s power, his glory, his holiness . . . do that, and it can be hard to fit  your own miserable, tiny little self into the picture.

Maybe there are those who can hear a Sunday School lesson on God’s love and then feel it in their bones.  All I really know is that it didn’t work that way for me.  Perhaps my head and my heart are farther apart than they should be.

I will always be grateful that Love stooped down and came looking for me.  Like Miss Annie said, Love humbles itself, Love stoops, and what this means to me is that Love pursues.  Love chases.  Love makes itself small enough for even our short-sighted, human eyeballs.

Love searches desperately for one lost sheep, and love keeps on searching until that sheep is safe, until that sheep knows and feels that she is loved.

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