by Christie Purifoy | Mar 9, 2013 | Art, Books, Poetry, Uncategorized
We don’t read poetry any longer, do we?
Oh, a bit here and there, and some of us more than others, but we’re much more likely to end our days with reality television than The Oxford Book of English Verse, aren’t we?
I often wonder why this is. Is it because we are so accustomed to the easy and comfortable we avoid using our spare time for anything that requires real effort? And I won’t fool you. Poetry requires effort. It asks that we meet it at least halfway.
We must quiet our minds (and our stereo speakers). We must slow down (no one ever speed-read a poem). We must re-read (a good poem can’t ever be checked as “read” on our reading lists and tracking apps; poetry happens in the re-reading).
All I really know is that I’ve hesitated to recommend poetry books in this space. I want to make you happy, and I’ve decided happiness means novels, memoirs, cookbooks, and picture books.
I read this article and realized that poetry is worth more than life to some people. They will risk everything for what it gives.
The least I can do is share a few recommendations with you.
Also, I can make this promise – tonight, when my children are (finally) asleep, I will not turn on my television. I will not pick up my big, fat novel. Instead, I will re-read, and I will remember. I will remember that my life is something different, something better, because I have read Yeats and Auden, Bishop and Heaney.
And these. I have read these:
I have read George Herbert.
One of the great English metaphysical poets (poets known for their elaborate imagery), Herbert was a priest in the Church of England and a friend of John Donne. His religious poetry is beautiful, desperate, and honest. But this is not confession (or not merely); it is art. It is art that dramatizes and explores the encounter between the flawed, sinful self and a God who is Love.
Herbert’s poems are intricately crafted. They reward the time we spend with them.
A verse may finde him, who a sermon flies, / And turn delight into a sacrifice. – George Herbert
I have read Eavan Boland.
I can’t recommend poetry without recommending the work of this contemporary Irish poet. Boland writes about home, about motherhood, about what it means to create beautiful art out of the raw materials of violence, loss, and the various troubles of history. Her work is accessible, but it is not superficial. It rewards our first reading, but it gives more with subsequent readings.
I suggest picking up a single volume of her work (rather than a collection or the few poems you might find in an anthology). Reading poetry is like music in this regard – poets write poems the way musicians create albums. It is one thing to know a hit single in isolation; it is entirely another to know what has been created when the artist gathers their work into a whole.
I often return to her volume In a Time of Violence. You might start there.
Write us out of the poem. Make us human / in cadences of change and mortal pain / and words we can grow old and die in. – Eavan Boland
I have read everything ever published by T. S. Eliot. But, always and especially, I have read Four Quartets.
Eliot was the first poet who ever made me love poetry. I was a teenager, and I was mesmerized by the rhythms of “The Love Song of J. Alfred Prufrock.” Now I don’t often go back to Prufrock and his coffee spoons (though the first lines of that poem are impossible for me to forget), but I return, more and more often, in fact, to Four Quartets.
There are times when an imperfect little art (like a quirky little poem) will suffice. It is like us: small yet precious, strange but lovely. There are other times when we need an art that hints at something much bigger and more perfect. Four Quartets is like that for me. It is big enough to move in, big enough to dream in, big enough to inspire your own creativity. It is Art-with-a-capital-A, and some days that is what my own little life needs most of all.
With the drawing of this Love and the voice of this Calling // We shall not cease from exploration / And the end of all our exploring / Will be to arrive where we started / And know the place for the first time. – T. S. Eliot
Do you read poetry? Why? Why not? I’d love to know.
by Christie Purifoy | Feb 23, 2013 | allergies, Books, Family, Food, Uncategorized
Food is my love language.
Isn’t that one in the book? No? Well, I’m convinced food is my love language. I know my mother loved me because she sometimes surprised me during the after-dinner homework hour by sneaking into my bedroom with chocolate pudding. Yes, Mom, I still remember the chocolate pudding.
I show my kids love by feeding them.
Which has, on more than one occasion, resulted in a call to 911 and an epi-pen. Which just goes to show that love is complicated.
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Making something that is healthy, non-allergenic, and liked by all is my holy grail of cooking. Actually, it’s my holy grail of motherhood. But, like any epic quest, mine is marked by failure, disappointment, and only occasional victory. Like the knights of old, I am not giving up.
Books like these inspire me to get up and give it another try. Books like these remind me that food and its enjoyment are among the very greatest gifts of our creator.
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First, (for those whose taste buds have been set dancing by the photo above) is Tartine Bread
by Chad Robertson. Yes, that photo shows actual bread baked by the actual me. In my actual home kitchen. And, it actually tastes even better than the picture looks.
In addition to the cookbook, you will need a digital scale and a cast-iron combo cooker (though I think a dutch oven would also work). Then, simply follow directions. Robertson takes us step-by-step from making our sourdough starter through his basic country loaf and on to variations that include everything from pizza dough to English muffins.
I am generally something of a disaster in the kitchen, but this book makes me look like I know what I’m doing.
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Next, is a book I suspect many of you have read. It’s Animal, Vegetable, Miracle: A Year of Food Life
by Barbara Kingsolver. If you haven’t yet read it, then I am thrilled to be the one to give you that final push. Because read it you must.
Do you like food? Do you like memoir? Then you will like this book. Kingsolver chronicles the year she and her family spent eating only locally grown foods, most of them foods they had grown or raised themselves. Kingsolver talks politics, global warming, and the state of American agriculture, but at the heart of this story is good food, family, and love.
This is a book about tomatoes. How we care for them. How we harvest them. How we spoon them out of jars in the middle of winter and remember warm, summer days. This is a book about bread. About what it does for our families when our homes smell of fresh-baked bread.
This is a book about celebration.
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Finally, a new-to-me book I admit I’ve only just begun. Two chapters in, and I’m smitten. It’s An Everlasting Meal: Cooking with Economy and Grace
by Tamar Adler. Generally, I won’t recommend a book I haven’t yet finished, but this is one of those books you start telling all your friends about before you’re even halfway through.
Adler is funny and wise. She begins with the simple act of boiling water, and I am now convinced that a big pot of bubbling, well-salted water is the start of all sorts of magic.
This is a book for those of us who love food but get bogged down in long, complicated recipes. It’s a book to make you believe that you, too, can create, not restaurant masterpieces, but the stuff of life. Good, nourishing food.
Which is, of course, the whole point.
by Christie Purifoy | Feb 16, 2013 | Books, Religion, Scripture, Stories, Uncategorized
I like to think of myself as an adventurous reader. A curious reader. A willing-to-give-it-a-go reader.
Truthfully, there are quite a few things that almost always trigger a “No, thanks,” from me. Almost always, that is. This Saturday, I bring you a few of those books I still don’t know why I read. But I’m so glad I did.
The descriptor ripped-from-the-headlines is a major stop sign for me. I can’t even watch Law and Order. I appreciate the headlines and the stories behind them (mostly via NPR). I love utterly fantastic, creative storytelling. I don’t like any mixing of the two.
In my view, the truth is generally more incredible than fantasy. Also, excellent fantasy is generally more truthful than reality.
Here’s the exception: Room: A Novel
by Emma Donoghue. Actually, this book also defies another of my stop signs: never read a book in which terrible things happen to a child.
I wish I could remember why I ever picked up this book, but, heavens, am I glad I did. This is the story of a little boy who has never known anything but a single, small room. He is the child of a young woman who was kidnapped and is being held prisoner in a backyard shed.
I know I’ve already lost a few of you, but I hope you’ll stick with me. Truly, this is one of the most incredible novels I have ever read.
Because Donoghue tells her story from the little boy’s perspective, our overwhelming impression is one of wonder, never horror. The skill with which this child and his world are depicted simply boggles my mind. In fact, writing this, I am itching to read this one again. Just so I can figure out how she did it. Because what she has done is amazing.
This is a beautiful story. It will leave you in awe of the power of a mother’s love. It has an exciting, page-turning plot (will these two incredible people escape their imprisonment??). Finally, it has an emotionally satisfying ending.
Room breaks all my rules and does it beautifully.
Stories are a different kind of true. – Emma Donoghue in Room
Another of my rules? I don’t do literary adaptations. The sequal to Peter Pan? An update on Hamlet? Noooo! They can never equal the original, and they strike me as creatively lazy. Derivative. Come up with your own characters, why don’t you!
But, then I read The Flight of Gemma Hardy: A Novel (P.S.)
by Margot Livesey. You could call this a retelling of Jane Eyre. Like me, you are probably thinking, “Why not just read Jane Eyre?” And, yes, if you haven’t, you should.
But thanks to Livesey, I think I now see the point of retellings, adaptations, and imaginative sequals and prequals. Art doesn’t exist in a vacuum. It creates echoes and other artists, in other places and other times, respond to those echoes. It is as if The Flight of Gemma Hardy is in conversation with Jane Eyre. It helps us to see the old classic with new eyes, and it is, in itself, a beautiful work of art.
Running, I soon realized, was the best way to stay ahead of fear. – Margot Livesey in The Flight of Gemma Hardy
One final no-go: gimmicks. I don’t like them. Also, anything that seems needlessly disrespectful towards the things I hold most dear. So, why I ever read The Year of Living Biblically: One Man’s Humble Quest to Follow the Bible as Literally as Possible
by A. J. Jacobs is beyond me.
First, this book is hilarious and slightly gimmicky, but it is written with earnestness and humility. Jacobs really does want to understand the Bible and the many ways people profess to live it out, and he shares his growing wisdom with us.
In the end, this memoir is funny but it’s no joke. With curiosity and empathy, Jacobs encounters Biblical literalists from the Amish in Pennsylvania to Samaritans in Israel all while trying (and failing) to live the Bible as literally as possible. At the end of his experiment, Jacobs is humbler and wiser.
And so are we.
I’m still agnostic. But in the words of Elton Richards, I’m now a reverent agnostic. Which isn’t an oxymoron, I swear. I now believe that whether or not there’s a God, there is such a thing as sacredness. Life is sacred. The Sabbath can be a sacred day. Prayer can be a sacred ritual. There is something transcendent, beyond the everyday. It’s possible that humans created this sacredness ourselves, but that doesn’t take away from its power or importance. – A. J. Jacobs in The Year of Living Biblically
Find previous book recommendations here: week one, week two, week three, week four, week five, and week six.
