Winter came early, settled in to stay, and shows no signs of an early leave-taking.
By Friday, we will have counted forty days since Christmas. The strength of the sun has grown, but I do miss those cheerful days of twinkle-lights and candy canes.
Still, I would not unwind time. Onward and upward. Spring beckons, though it is only a light far down a very long tunnel.
Now, we mark the traditional halfway point of winter. Friday is Candlemas, the day when candles were blessed for the dark days of winter that remained, the day when we remember Christ presented at the Temple and sing Zechariah’s song:
… the dawn from on high shall break upon us, to shine on those who dwell in darkness and the shadow of death, and to guide our feet into the way of peace.
Peace is a way, a path, a choice.
I am sorry to say that peace often looks anything but peaceful when we begin to choose it. In order to seek peace, we must sometimes fix our eyes on the light we only barely see, far down a very long tunnel.
Peace is a wholeness, a completeness, and a rightness. We seek peace and we pursue it when we walk toward–not away–from those things in our homes, our neighborhoods, and our world that are broken, incomplete, and wrong.
We are peacemakers, not peacetakers out to grab whatever we can for ourselves.
The good news is that we seek that which we have already received.
Peace I leave with you, my peace I give you.
We cultivate seeds planted in us long, long ago.
Halfway through this long, dark season, I desperately need to remember all that is special and good about winter. Things like long books, warm fires, garden dreams, geraniums on the windowsill, and so much more.
I need a winter reset.
If you feel the same, I think this gift will help.
The third installment is finally here: it’s a Winter Giveaway!
When I first imagined the book that eventually became Roots and Sky, I pictured an old-fashioned treasure, something like the books I seek out in thrift stores and used bookstores. I thought my stories would be interspersed with seasonal tips and recipes and nostalgic pen-and-ink illustrations.
Almost as soon as I began writing, I realized that the story I needed to tell was simpler and leaner. Those first four seasons at Maplehurst were more quiet and watchful than busy and industrious, and the book needed to reflect that.
But the idea of offering more–seasonal stories, tips, recipes, and beautiful illustrations–has never gone away.
Last summer we celebrated five years of cultivating home in this Victorian red brick farmhouse.
I can’t think of a better way to mark that anniversary than by finally giving you the more I imagined so long ago. In fact, I plan to give you more (and more, and more, and more). I have four gifts planned, each one arriving with a new season.
In collaboration with the talented designer and illustrator Jennifer Tucker of Little House Studio, I’ve created four winter-themed pages from that book of my dreams.
They are free for every one of my email subscribers to download and print.
One comes from my kitchen, two from the garden, and one from my bookshelves. Each page offers something practical and beautiful wrapped up in my own lyrical point of view.
I’m planning to print and frame mine, but they’ll do just as well tacked to a bulletin board or tucked into a garden journal or recipe box. Feel free to share this post with friends who might like to subscribe and print their own.
Simply click the subscribe box below, enter your email address, and a confirmation email will be sent straight to you. Confirm your address, and you’ll be taken to the link in order to claim your download.
If you are already a subscriber, check your inbox. Your link should be waiting for you.
Here are two things to remember:
One: TWO WEEKS from today, the offer expires, and the prints will no longer be available.
Two: Spring won’t keep us waiting forever. Look for my spring giveaway in April.
Earlier this week, I drove the curling, twisting country roads between my house and my youngest boy’s school. We carpool with neighbors, and I make that same drive on most afternoons.
It is twelve minutes, precisely. Twelve minutes of fieldstone farmhouses, enormous red barns, undulating fields, and one silvery, meandering brook. I see more cattle and horses than cars. I pass not one but two little houses that once were one-room schools.
We’d had sun for days, the kind of low autumn sun that blinds you all day long, but this day the sky was whitewashed. We have reached that point in November when the only green left is the dense, foreboding green of the hemlocks, the spruces, and the pines. Many of the deciduous trees are bare, and looking at them is like looking straight into the face of winter.
What remains is like a volcanic eruption: crimsons and coppers and a gold so gold it smolders. I had thought the autumn colors still here at the end of the season would be faded and delicate, but the trees I saw were heavy. They were fierce. They didn’t need sunlight to make them burn.
Those trees were disturbers of the peace.
This week, I’ve been remembering that moment in Luke when Jesus gazes out over Jerusalem and weeps.
The tears come just after he has been hailed as king. The adoration and praise were so chaotic, so exuberant, and so politically charged, that the religious leaders cried out, “Teacher, rebuke your disciples!” But Jesus said, “I tell you … if they keep quiet, the stones will cry out.”
And then he weeps for this city. He cries because peace is so near yet so hidden from them.
All I want in my house is a little peace and quiet, and most days I’ll pay any price.
My youngest two erupt together with such regularity that I have no patience for detangling the threads of their accusations. I don’t care! I yell. Just be quiet!
In my better moments, I beg them to apologize. I ask them to share a hug. Please, guys, just patch things up. All I want is a little peace and quiet while I cook your dinner.
Yet I know that the prophet Jeremiah’s rebuke is for me: “They dress the wound of my people as though it were not serious. ‘Peace, peace,’ they say, when there is no peace.”
“Peace, peace,” I say, because I do not want to face their anger, I do not want to feel their hurt, I do not want to see the wounds.
I come by my avoidance, honestly. In the south we are nice to a fault. We say bless her heart, and while we sometimes mean exactly that, we sometimes mean, would you look at that fool. The true meaning of our words can be elusive.
I have missed that southern niceness in every home I have ever made since first moving away. Chit chat with the store clerk and a friendly wave to the passing driver can make the world go round more pleasantly. Southern niceness says, I see you. It says, I may not know you, but I am sure you are worth my time.
Southern niceness has not always served me well. I will always remember the teaching evaluation I received at the end of a semester-long course that included a few particularly disruptive first-year college students. One student wrote, “Dr. Purifoy is very nice. Perhaps too nice.”
Niceness is sometimes loving and sometimes anything but.
Peace and quiet is sometimes peaceful and sometimes it is its very opposite. It is sometimes a wound so well-bandaged, so hidden and obscured, there is little hope for healing.
Maybe it is enough to hail Jesus as king. Perhaps all we need do is wave our palms and sing a chorus of praise. Will that still the stones? Will that quiet the disruptive song of the trees?
I think not. Ours, after all, is a weeping king. Ours is a king with a heart broken for us. Could it be there are days when the only way to sing his praise, the only way to acknowledge his kingship over us, is to cry with him, to ask, Lord, what wounds do you see? Lord, what is hidden from me?
For months, I’ve been stumbling over the same few verses. I don’t go looking for them, but they are there when I open my Bible, there in an email from a friend, there in a sermon on Sunday morning. They are chasing me down.
The first comes from the story of Nehemiah. The walls of Jerusalem are in ruins, and repairing them is an impossible task. Nehemiah inspired a few to begin rebuilding, but the willing are mocked for their efforts. Nehemiah is not deterred: “The God of heaven will give us success. We his servants will start rebuilding.” Having been confronted by those words for the fourth or fifth time, I sat in my office trying to puzzle them out. Did they have something to say to me? But it was difficult to focus with the sound of a grinder chewing up mortar right outside my window.
Brick by brick, we are repairing the walls of this old house.
The second verse comes from Isaiah: “Your people will rebuild the ancient ruins and will raise up the age-old foundations; you will be called Repairer of Broken Walls, Restorer of Streets with Dwellings.”
Repairer of Broken Walls. I don’t even understand the meaning of that name, but the sound of it is like music. I know it’s the name I most desire for myself. For my family. For my church and for my community.
Yesterday, after dropping my daughter off at preschool, I drove the curving, narrow road down toward the center of our little town. Just before I crossed the railroad tracks, I noticed a building with a graffiti-covered wall on my left. Harsh triple K’s crawled like spiders toward the roof. On my right, directly across from the wall, was a little Missionary Baptist church. The flower pots on either side of the church’s front door overflowed with the fiery lava colors of autumn.
All it took were a few phone calls and a message on the local message board, before dozens of neighbors had mobilized to become Repairers of Broken Walls. As is often the case among neighbors, there is more passion than consensus.
Some are sure the vandalism has been there for years, some are convinced these particular stains are new. Some see racist hatred and some wonder if it might not actually be a protest against racism? The graffiti is a little ambiguous. Like many messages shared in anger, it has not changed anyone’s mind, merely given birth to confusion and outrage.
We are not sure if we’ll paint a mural or merely wash on some beige. Should we plant shrubbery? Install a light or a camera?
Thankfully, we need not agree in order to begin the work.
We can gather. Talk face to face. And pick up that first stone. That one. Right there. The one just crying out.
Go on, says the stone. Disturb the peace that is not really peace, says the tree. Because one thing creation knows, has always known, is that we hail him as King by making his kingdom visible.
Brick by brick and stone by stone.
His feet are clay.
As has ever been true of kings.
Some might say there is nothing in this to grieve. Nothing to cause fear. Certainly no reason for surprise.
What was true of Daniel’s king, was true of David, and true of Solomon, too. Has, in fact, been true of every man or woman to whom we have bowed or pledged our allegiance.
But I have heard the bitter weeping of the envoys of peace, and I am not satisfied with explanations or arguments or platitudes.
I go on dreaming. I go on singing. I go on telling tales of a better king.
This king “will take pity on the weak and the needy.”
This king will “defend the afflicted among the people.”
This king will “will be like showers watering the earth.”
My eyes have seen the king in his beauty.
I have glimpsed a land that stretches afar.
It is a peaceful abode and a place of broad rivers and streams.
No galley with oars rides them. In this place, even the lame carry off plunder.
Because the loaves and fishes are ever being broken and passed on, they multiply. Because the jar of oil is always being emptied, that jar is never dry. There is more than enough for me and my neighbor.
There is even enough for my enemy.
This is the song I sing, yet I cannot always be singing.
When I pause my song, when I wake, or when my story reaches its end, I weep.
I weep because the king we hold in our hands falls so very short of the king who ever walks on the edge of my dreams.
I sit by the river, and I weep when I remember all that I have seen. I weep when I remember the prayer of generations:
Thy kingdom come … on earth as it is in heaven.
*my own song is inspired by Psalm 72, Psalm 137, and Isaiah 33
(an installment in my occasional series of book recommendations; this post contains affiliate links)
These are violent days. What good are books? Of what use is poetry?
In his elegy for W. B. Yeats, the poet W. H. Auden famously wrote, “poetry makes nothing happen.” Yet the poem itself complicates this view.
Poetry may or may not change a thing, but if we feel compelled to sing, why not sing, as Mary once sang, of justice?
If we feel compelled to read, why not shed the burden of our own particular skin and view the world through another’s eyes? For a little while?
Here is a poem for that.
Here is one more.
A favorite book on our family shelves is Brown Girl Dreaming, a recent Newbery Honor Book by Jacqueline Woodson. My twelve-year-old daughter and I both loved it. The poetry is accessible but incredibly rich.
In a similar vein, I recommend Inside Out and Back Again, by Thanhha Lai. Written in verse, this story communicates difficult truths and complicated historical experiences with grace and lyricism. It is one of the sweetest, saddest, loveliest books I have read.
When I was a new graduate student living on the south side of Chicago, I first read the classic 1952 novel Invisible Man by Ralph Ellison. That was years ago, and I don’t remember the book very well. What I do remember is the shock I felt reading a novel told from the perspective of a nameless black man. For the first time in my life I recognized how the skin we walk around in can remake the world around us. I had never even imagined a world like the one inhabited by this invisible man, but there it was, and while I read the book, I lived in it.
Like most summers, this one is too loud, too crowded, too hot. But, as I write in Roots and Sky, this cuts two ways. There are also too many lilies in the garden and too many squash on the vine. My way of dealing with the too-muchness of it all is what I call “comfort-reading.” This means I am finding most of my reading material on the shelf at my local Goodwill thrift store: fifty cent Agatha Christie paperbacks, an old Martha Stewart gardening book without its carefully photographed jacket, an Englishman’s memoir of life in Provence that must have been on everyone’s beach-read list the summer of ’89.
I revisited the Goodwill bookshelves only yesterday and found two treasures. The first was a copy of The Taize Picture Bible: Stories From the Scriptures in almost perfect, vintage condition. I have heard such good things about this illustrated Bible for children over the years, but it has long been out of print. I paid $1.97 and couldn’t believe my luck.
The second was a pristine paperback copy of Elizabeth Enright’s Thimble Summer, the winner of the 1939 Newbery Medal. I didn’t buy it only because I recently found a vintage hardback of the same title at my local used bookstore. It has been our evening family read-aloud for a week now.
My ongoing quest to discover read-aloud books all four of my kids will submit to listening to (actually enjoying the book is a higher standard; I am satisfied if two of four children say they “like” the book) has recently met with failure upon failure. The last success I remember is Laura Ingalls Wilder’s Farmer Boy, a book that has a lot in common with Thimble Summer.
On the recommendation of a friend, I recently began reading The Manor: Three Centuries at a Slave Plantation on Long Island. After my friend explained it was a book about an old house written by a landscape historian, she said, “I think you’ll like it.” I said, “I think you’re right.”
More factual and straightforward than a historical novel, yet much more readable and compelling than a history textbook, The Manor tells the story of one of the first great European houses in North America, and the family who lived in it and preserved its history for centuries. One house might not seem so important, but the door of this house opens up a story of northern slavery that has since been either forgotten or willfully ignored.
The first Sylvesters were Quakers, and the story of their lives is revising a story I have always taken pride in. My own farmhouse was built by Quakers, and I have long given credit for the beauty of this part of Pennsylvania to the generations of residents who have sown peace and justice into the very soil of this place. That story is still true, but The Manor tells an older, darker tale. According to this story, the blood of enslaved Africans touches every aspect of our earliest history and every one of my seemingly peaceful, green hills.
Seeds of brutality and injustice were sown into our country’s soil from its earliest days. It is a small thing to know that the atrocities of slavery on sugar plantations in Barbados could not have been sustained without the animals and crops raised on New England farms, yet somehow that knowledge has brought the shame of slavery home to my own heart.
Those Barbadian plantation owners lived in homes built like fortresses. They exploited, in fact, they brutalized their workers and so they feared them.
Slavery is long gone, but we still reap that terrible harvest. We worship safety. We are afraid of black men, but it is the black men, and their communities, who pay the price for our fear.
When I hear that one more police officer has killed one more black man, I cannot throw a stone at that officer. I remember how, years ago, fear would rise up in me if I followed the sidewalk beneath a graffiti-splattered viaduct and saw a young black man in baggy pants approaching from the other direction. It took years of living in that south-side Chicago neighborhood to learn that I was always so much safer than any of those young black men. In ten years, I was never the victim of a crime, but neighbor after neighbor, innocent after innocent, male and female but always black-skinned, died of gun violence while I lived, untouched, in their midst.
Separation breeds fear, and fear breeds violence.
But if violence is a failure of the imagination, as the poet William Stafford said, then perhaps poetry can make something happen?
Comfort-reading has its place, but I must also read to bring dark things into the light. Especially, those dark things in my own self.
What if we tuned our imaginations to the songs of others not like ourselves?
If poetry makes beauty and creates hope, can it also help us to act justly and love mercy?
Can it help us walk humbly with our God?
With these questions in mind, do you have any book recommendations for me?
If you are looking for a quick Saturday read, here is my latest post for Grace Table: “What Hospitality Looks Like In A Castle.”
Yesterday, there was softly falling snow. Today, there is a hard rain hurling itself against the windowpane.
In my ears, the quiet shush of snow has always sounded like the voice I most want to hear. It has always seemed like the embrace of the One who is so often hidden from us.
But if the snow whispers I Am, this rain screams Why? Why? Why?
It is the unanswerable question the world keeps on asking. Why do terrible things happen? Why did this terrible thing happen?
To be honest, it’s a question I don’t want answered. At least not yet. If there is an answer, I know that I am not ready to hear it. The only question I feel able to ask is this: what happens next?
What comes after the nightmare?
The answer I’ve considered this week has surprised me. I am not sure why that is when I have felt it before. For me, what comes after the nightmare is a strange sort of peace.
I once watched my son begin to die in a suburban Florida frozen yogurt shop. Two bites in to his dairy-free frozen treat and some trace contamination caused his throat to swell shut. I realized what was happening in the same second that I realized I had forgotten to carry his epi-pen.
A stranger in that shop saved my son’s life when she pulled an epi-pen junior from her purse. She had curly, red hair and two kids by her side. I struggled to uncap the pen because my hands would not stop shaking.
My son recovered so quickly he didn’t even need to ride in the ambulance that arrived a few minutes later. But it took me longer to recover. It took a long time for my hands to stop shaking and an even longer time to realize that all the fear I had carried since my son’s first allergic reaction was gone.
I felt sad and guilty and shaky, but I was no longer afraid. I understood that I could never keep my son perfectly safe. I understood that life and death are so much bigger than I am. So much bigger even than the love a mother has for her child, and that both, life and death, are held in someone else’s hands.
Today, again, I am sad and shaky. Today, again, I feel guilty. Before, I felt guilty and ashamed because I had risked my son’s life through forgetfulness. Now, though I recognize it isn’t logical, I feel guilty that I still have a husband. That my children still have a father in their house.
But I am not afraid.
I no longer think that losing my husband or even my child to death would be the end of me. I could lose even this house, this hilltop where I have planted so much of myself, and still go on. I have seen how it is possible to smash into a thousand pieces yet remain, not happy, certainly, not well, or whole, but held. Sustained. I have seen how God carries us through the very thing we imagine we cannot endure.
It is written, “perfect love drives out fear” (I John 4:18). I have read those words and imagined this love like something familiar, something sweet like the candy hearts my children have been eating for days. But fear is powerful. Enormous. It takes a very big love to drive it out.
I don’t know if this love causes terrible things.
I don’t know if this love allows terrible things.
All I know is I cannot look at the terrible thing without also seeing love.
I hate the sound of this driving rain. I don’t like the questions it is stirring up. But though I still long for the comforting blanket of yesterday’s snow, I am grateful for any rain that washes all my fears away.
I am grateful to be where I am. Here, in the churning, foaming center of a great river of peace.
On Friday night, we sat in a high school auditorium beneath the flutter of paper doves and peace signs dangling on strings. The theme of my children’s annual holiday show was peace on earth.
There were musical performances from around the world. I was glad the first-graders were assigned the United States, though somehow my little boy and I still managed to clash over which sweater and which pair of blue jeans he would wear.
There was a video tribute to the victims in Paris. Then the head of school remembered the even more recent tragedy in California. While hundreds of childish voices swelled in song, I thought, Maybe we should recall the politicians and put the schoolkids in charge?
On the drive home, a small voice piped up from the backseat, “What happened in California?”
On Saturday morning, I dragged a bag of garbage out toward the shed. The air was frosted pink and blue, and each blade of grass was edged in white. Halfway across the lawn I stumbled over some contraption hammered together with scrap wood and nails. Shifting it with my foot, I recognized a military gun. My boys had been fighting imaginary battles again.
I don’t know what that kind of weapon is called, but my nine-year-old son could tell you. He reads a lot of history. He knows a great deal about war.
On Sunday, we lit the second Advent candle, the candle of peace. Or, we tried to. An argument broke out between my younger son on one side of the table and my firstborn girl on the other. As quickly as he lit the candle, she blew it out. Light the candle. Blow it out.
“It’s not your turn,” someone hissed.
That same Sunday morning, I had read an article in the newspaper about the band U2. They were preparing to perform the Paris concerts that had been cancelled in the immediate wake of the attacks. Their stage show features the sounds of a car bomb, recalling the violence that Bono and his band knew as adolescents in Ireland.
Bono said, “Peace is the opposite of dreaming. It’s built slowly and surely through brutal compromises and tiny victories that you don’t even see. It’s a messy business bringing peace into the world. But it can be done, I’m sure of that.”
Peter had a sword. We have car bombs and semi-automatic guns. As humanity creates deadlier and deadlier weapons, turning the other cheek begins to look more and more ridiculous.
Jesus said, “Blessed are the peacemakers, for they will be called children of God.”
Perhaps that’s the root of our problem. We don’t want to be children.
We want to be heroes.
My nine-year-old son and I are a lot alike. We both love history. We are both dreamers. We both need a better story.
He needs to hear that laying down your life requires more bravery than defending it. I need to hear that peace is possible.
That it is even possible in my own home.