Summer days are here: fast, bright, and hot.
We wake early but find that the sun has already beat us to it. These are the longest days, and they start without us. I sip my morning coffee and make my list. How is it possible to feel so behind at 6:30 in the morning?
Summer to-do lists are like none other:
Pick the snap peas while they’re still tender. Cut the sweet peas before they wilt. Visit the u-pick berry farm. Make freezer jam. Write that magazine story due tomorrow. Carve a dent, at least, in the email inbox. Write that check and mail it. Help the boys catch fireflies.
Summer priorities are topsy-turvy. Ripening strawberries and fat peas are things of urgency, but I’ve forgotten where I left my laptop. Was it two days ago, I last used it? There’s an important professional conversation I need to have, but I’ve missed the phone call twice. The first time, I was at the creek with the kids. The second, I was picking cherries.
An afternoon storm rolls in, the kind of summer storm that is all sound, little fury, and I think Lord, I love summer.
The boys start fighting (again), and I pray, Lord, let me survive the summer.
Summer days are so long, we have more than one second chance.
Here is one, and here is another. We explode in anger. We apologize. I make them hug. One shrugs. One runs away. We laugh. And we do it all again, three or four times. I maybe cry once, and then I tell my kids how I used to fight so terribly with my sisters I made my own mother cry.
Summer is crying mothers, and fighting kids; summer is fat, sweet strawberries, and lightning crashing like a cymbal on your head.
Summer is more, and more, and more.
Summer is magic.
Summer days run fast and hard until evening. Then the summer sun slows, almost stops, and you can hardly tell it’s sinking. Summer evenings taste like forever. I could finish that to-do list if I wanted, but urgency fades in the evening. Why didn’t I realize sooner? These are the longest days, and there is time enough.
Swift, swift times flies, but still there is enough for what matters: porch rockers, bubble wands, watermelon, one last visit to the new trees with a watering can.
The kids watch a movie and stay up too late. You and I walk in the meadow we made when you decided to stop mowing the grass.
There is time enough.
Summer is here. Why don’t we sit a while?
When I first imagined the book that eventually became Roots and Sky, I pictured an old-fashioned treasure, something like the books I seek out in thrift stores and used bookstores. I thought my stories would be interspersed with seasonal tips and recipes and nostalgic pen-and-ink illustrations.
Almost as soon as I began writing, I realized that the story I needed to tell was simpler and leaner. Those first four seasons at Maplehurst were more quiet and watchful than busy and industrious, and the book needed to reflect that.
But the idea of offering more – seasonal stories, tips, recipes, and beautiful illustrations – has never gone away.
This summer we will celebrate five years of cultivating home in this Victorian red-brick farmhouse.
I can’t think of a better way to mark that anniversary than by finally giving you the more I imagined so long ago. In fact, I plan to give you more (and more, and more, and more). I have four gifts planned, each one arriving with a new season.
In collaboration with the talented designer and illustrator Jennifer Tucker of Little House Studio, I’ve created four summer-themed pages from that book of my dreams. They are free for every one of my email subscribers to download and print.
One comes from my kitchen, one from my flower garden, one from my vegetable garden, and one from my bookshelves. Each page offers something practical and beautiful wrapped up in my own lyrical point of view.
I’m planning to print and frame mine, but they’ll do just as well tacked to a bulletin board or tucked into a garden journal or recipe box. Feel free to share this post with friends who might like to print their own.
Simply input your email address to the subscribe box below, and an email with a link for the download will be sent straight to you. If you are already a subscriber, check your inbox. Your link should be waiting for you.
Here are two things to remember:
One: Summer is fleeting, and so is this gift. Two weeks from today, the offer expires, and the prints will no longer be available.
Two: Autumn follows fast on summer’s heels, and my fall pages should appear some time in September.
P.S. Because I couldn’t decide which I loved best – full color or black-and-white – I’m giving you both. I am also giving you the recipe page in two color options. Feel free to choose one or print all. Enjoy!
A garden, unlike a house, is never still. It is not an object but a moment. To observe a garden, one must catch it like a butterfly in a net (but please do let it go again. Beauty cannot be preserved or it ceases to be itself).
When I give someone a tour of the gardens here at Maplehurst, I catch myself crying, “Oh, if only you had seen the daffodils that bloomed last week.” I am like a mother pouring over baby photos while the child who was that baby tugs at my hand, begging me to play another round of Candyland.
My heart inclines towards nostalgia, and I am easily tangled in the past, but today’s garden is only for today. I must pay attention or I’ll miss it, and there are no encores, no second chances.
Why keep a garden? Why grow flowers? The arguments against it are persuasive. A garden will keep you tethered because to plant something is to make a promise: I will clear the weeds from around you, I will bring you water when the sky turns dry. I will not walk away.
But there are worse things than being kept at home because someone there needs us. The word “homebound” alludes to difficult and heartbreaking realities, but it also speaks of the way home can hold us and keep us steady. And to live as one “bound for home” is to live as a pilgrim sure of the welcome that waits for us.
Right now this garden flows as swiftly as a swollen river. By mid-summer, its movement will have slowed to a trickle, though it never does stop.
The gift of a garden is that it brings movement and change to the still point that is our home.
In spring, I lift my eyes from washing dishes, feeding children, folding laundry, and all those tasks that keep me tied, through love and obligation, to this place. I lift them toward the open window, and I say,
Look! The world is new again.
Elizabeth and I are homebound. She, a writer of poetry and prose, is bound to Mersea, a 1904 white Victorian nestled in the historic district of a South Carolina shrimping village. I am bound to Maplehurst, a red-brick farmhouse built by Pennsylvania Quakers in 1880. We are both writers, wives, and mothers, but nearly twenty years and hundreds of miles lie between us.
Elizabeth and I exchanged a few “homebound” letters over Lent. The nature of a letter is to communicate over a distance, but the season of Lent introduced other distances – there was the space between winter and spring, the break between longing and fulfillment, and the chasm, so like a tomb, between death and new life. But what is Lent, after all, but a kind of long homecoming? It is a practice of return and a way of erasing distance.
Those who go out weeping, carrying seed to sow, will return with songs of joy, carrying sheaves with them (Psalm 126:6).
For Elizabeth and I, Easter has meant trading the distance of letter writing for the intimacy of a visit, first with a home tour and today with a tour of the garden.