My children returned to school this week.
Monday morning I took their photograph on the front steps and wondered if anything in creation grows and changes faster than a child. Of course, I know the answer is yes, many things.
The dahlias in my flower garden need only one summer to grow from potato-like tuber to five feet of sunset color. Strange mushrooms beside the wood pile require a scant few hours of darkness. The baby ducks my sisters gave me as a birthday gift in late June now wander the yard with a heavy, side-to-side waddle and consume twice as much food one week as the week before.
Right now, the whole world feels shot through with urgency. Zinnias are on a mission to bloom and dry and drop their dusty seeds. The American political landscape has become so tumultuous I hold my morning paper at arm’s length, nervous about what new controversy may have erupted overnight. A hurricane parked itself on the landscape of my childhood and young adulthood, and if I had had a thousand boats I would not have been able to rescue every person I know by name who was watching floodwaters rise.
I can’t keep up. I can’t keep my grip. Not on the children. Or the issues. Not even on the tomatoes growing in my garden. Too many drop to the ground and rot before I can bring them inside. A few more turn to puddles on my countertop before my husband, pizza-maker extraordinaire, can cook them into sauce. But what is a tomato puddle compared with a one-in-five hundred-year flood?
Who has time for small things and slow things when it feels as if the world is spinning faster than ever before?
A world hurtling from grief to grief needs speed and rescue boats. But I have only the slow work of placing one word upon another.
No boats. Only books.
I am writing another book.
In this story, this imagery, and this message, I feel as if I have tapped into floodwaters, and I am so grateful to the folks at Zondervan for partnering with me to shape these waters into something beautiful and meaningful.
But the protracted and plodding work of writing and publishing has left me feeling as if I’ve stepped out of a fast-moving river in order to bury my head in a backwater eddy. Every day, I must remind myself how much words matter.
Speed has a way of devaluing our language. In a crisis, we grab the first word close at hand. We don’t trouble ourselves over nuance or precision.
This is unsustainable, and if we don’t resist, we can undermine our true identity and our purpose in the world.
Who are we? We are those who “have tasted the goodness of the word of God” (Hebrews 6:5).
But too many of us are still hungry. Too many of us have forgotten we were ever invited to feast.
I suppose even rescue boats require time to build. Compared with dahlias and ducklings, boats and books need much more than a single summer. The helpers and rescuers may leap into action, but they do so on boats that have been built and maintained with care. They do so according to plans that have been prepared and practiced over decades.
Rescue is also a kind of discipline.
The world is saved through slow work (raising babies, restoring buildings, writing books). The world is saved through the quick and ephemeral (preaching sermons, delivering water). There is urgency, but it is not for every one of us on every single day.
The world is always spinning, always moving, shifting, and changing. Right now I feel the curl and curve of it beneath my feet, and, occasionally, I stumble.
But for the next few months, I will go on stumbling back to this chair and back to this overcrowded desk. I will do this because I believe when Jesus said “my words will never pass away,” he invited each one of us to root our words (our conversations, our social media posts, our books) in the Word. The same Word through whom all things were made and all things are being newly made.
See! Now it springs up; do you not perceive it?
Even now our language, full of grace and seasoned with salt, is being swept up to play its part in a new creation.
When I first imagined the book that eventually became Roots and Sky, I pictured an old-fashioned treasure, something like the books I seek out in thrift stores and used bookstores. I thought my stories would be interspersed with seasonal tips and recipes and nostalgic pen-and-ink illustrations.
Almost as soon as I began writing, I realized that the story I needed to tell was simpler and leaner. Those first four seasons at Maplehurst were more quiet and watchful than busy and industrious, and the book needed to reflect that.
But the idea of offering more – seasonal stories, tips, recipes, and beautiful illustrations – has never gone away.
This summer we will celebrate five years of cultivating home in this Victorian red-brick farmhouse.
I can’t think of a better way to mark that anniversary than by finally giving you the more I imagined so long ago. In fact, I plan to give you more (and more, and more, and more). I have four gifts planned, each one arriving with a new season.
In collaboration with the talented designer and illustrator Jennifer Tucker of Little House Studio, I’ve created four summer-themed pages from that book of my dreams. They are free for every one of my email subscribers to download and print.
One comes from my kitchen, one from my flower garden, one from my vegetable garden, and one from my bookshelves. Each page offers something practical and beautiful wrapped up in my own lyrical point of view.
I’m planning to print and frame mine, but they’ll do just as well tacked to a bulletin board or tucked into a garden journal or recipe box. Feel free to share this post with friends who might like to print their own.
Simply input your email address to the subscribe box below, and an email with a link for the download will be sent straight to you. If you are already a subscriber, check your inbox. Your link should be waiting for you.
Here are two things to remember:
One: Summer is fleeting, and so is this gift. Two weeks from today, the offer expires, and the prints will no longer be available.
Two: Autumn follows fast on summer’s heels, and my fall pages should appear some time in September.
P.S. Because I couldn’t decide which I loved best – full color or black-and-white – I’m giving you both. I am also giving you the recipe page in two color options. Feel free to choose one or print all. Enjoy!
A garden, unlike a house, is never still. It is not an object but a moment. To observe a garden, one must catch it like a butterfly in a net (but please do let it go again. Beauty cannot be preserved or it ceases to be itself).
When I give someone a tour of the gardens here at Maplehurst, I catch myself crying, “Oh, if only you had seen the daffodils that bloomed last week.” I am like a mother pouring over baby photos while the child who was that baby tugs at my hand, begging me to play another round of Candyland.
My heart inclines towards nostalgia, and I am easily tangled in the past, but today’s garden is only for today. I must pay attention or I’ll miss it, and there are no encores, no second chances.
Why keep a garden? Why grow flowers? The arguments against it are persuasive. A garden will keep you tethered because to plant something is to make a promise: I will clear the weeds from around you, I will bring you water when the sky turns dry. I will not walk away.
But there are worse things than being kept at home because someone there needs us. The word “homebound” alludes to difficult and heartbreaking realities, but it also speaks of the way home can hold us and keep us steady. And to live as one “bound for home” is to live as a pilgrim sure of the welcome that waits for us.
Right now this garden flows as swiftly as a swollen river. By mid-summer, its movement will have slowed to a trickle, though it never does stop.
The gift of a garden is that it brings movement and change to the still point that is our home.
In spring, I lift my eyes from washing dishes, feeding children, folding laundry, and all those tasks that keep me tied, through love and obligation, to this place. I lift them toward the open window, and I say,
Look! The world is new again.
Elizabeth and I are homebound. She, a writer of poetry and prose, is bound to Mersea, a 1904 white Victorian nestled in the historic district of a South Carolina shrimping village. I am bound to Maplehurst, a red-brick farmhouse built by Pennsylvania Quakers in 1880. We are both writers, wives, and mothers, but nearly twenty years and hundreds of miles lie between us.
Elizabeth and I exchanged a few “homebound” letters over Lent. The nature of a letter is to communicate over a distance, but the season of Lent introduced other distances – there was the space between winter and spring, the break between longing and fulfillment, and the chasm, so like a tomb, between death and new life. But what is Lent, after all, but a kind of long homecoming? It is a practice of return and a way of erasing distance.
Those who go out weeping, carrying seed to sow, will return with songs of joy, carrying sheaves with them (Psalm 126:6).
For Elizabeth and I, Easter has meant trading the distance of letter writing for the intimacy of a visit, first with a home tour and today with a tour of the garden.
Here is our invitation to Elizabeth’s garden at Mersea.
The view from my window is more January than March, thanks to a late-season blizzard.
The worst of the storm hit north and west of us, but we still have more snow, and colder temperatures, than we’ve seen all winter. Yet more snow is driving hard past my window, but the wind is scouring our driveway clean. I am glad since Tuesday’s heavy, wet snowfall damaged the snowplow we attach to our tractor mower. Of course, I write “we” in the most generous sense because my contribution to clearing snow is keeping the children out of their father’s way.
It’s a strange day to browse my favorite gardening books, but this is the middle of March, and I must keep faith with the angle of the sun, no matter the peculiarities of the weather.
The literary letters Elizabeth and I have recently exchanged here on the blog have had me giving a great deal of thought to the epistolary genre. As a form of artistic creation, it is centuries old, though today’s epistolary novels are perhaps more likely to include email transcripts than handwritten letters.
It is not a form you tend to see in garden writing, but exploring the form these past few weeks has reminded me of the quality I most appreciate in my favorite gardening books: that is, the singular human voice writing from a particular time and place.
My preferred gardening books are written by gardeners who love their own plot of earth and know it well. It is tempting to think their advice might be of only local importance. The needs of my own garden will be very different from a garden with rocky New England soil near the salt-air of the ocean. Yet I find precisely the opposite to be true. This may be one more case of greater love leading to greater wisdom.
Here are a few of my favorite garden books, just in time for spring. These are not exhaustive and impersonal garden reference books. These are more like letters from a gardener, or better yet, missives from a particular plot of cultivated earth. I hope they inspire you to better love the ground beneath your own feet.
- Henry Mitchell is one of my favorite garden writers. Usually he makes me laugh out loud, but he often surprises me with eloquence and emotional insight. For many years he wrote a garden column for The Washington Post, and it is these columns that make up collections like The Essential Earthman and One Man’s Garden. His style, geared toward local Washington D.C. newspaper readers, probably comes the closest to the intimacy of the epistolary form.
- Tara Austen Weaver’s memoir Orchard House is a perfect example of why I prefer the personal rather than the encyclopedic approach to garden reading. I am easily overwhelmed by lists of plant varieties, but when Weaver praises a particular variety of homegrown strawberry, I find that I want to plant and taste nothing else. This is a lovely memoir of growing a garden and healing a family.
- If you enjoy Michael Pollan’s approach to food writing, you will love his gardening book: Second Nature: A Gardener’s Education. It is another well-researched book filtered through Pollan’s everyman voice and his particular gardening adventures. Flipping through my tattered old copy, I’ve decided it’s time for me to reread it.
- I do not recommend Katharine S. White’s book Onward and Upward in the Garden to many people. If yours is only a casual interest in garden writing, this may not be the book for you. However, if you are at all intrigued by the idea of an experienced gardener and knowledgeable writer examining seed and plant catalogs as a reviewer would study a just-released novel, then you might enjoy this book as much as I do. Here is another enticement: Katharine was the wife of E.B. White, and her descriptions of their Maine garden helped me to see Charlotte’s Web and The Trumpet of the Swan in a fresh light.
- The Living Landscape by Rick Darke and Doug Tallamy leans more toward the encyclopedic, but this astonishing account of the importance of native landscaping for our own wellbeing and the wellbeing of our planet is told through from the perspectives of scientists making important observations in their very own gardens. I used to think that native plants were a nice extra, but Darke and Tallamy have transformed my thinking. This may be one of the most important garden books you read.
- If you love keeping fresh flowers in your home, I highly recommend the beautiful just-released book Floret Farm’s Cut Flower Garden by Erin Benzakein. This book is practical, gorgeous, and inspiring.
I’d love to know: do you read garden books?
And if you’d like to read a little more from me, here is my latest post for Grace Table: “Sunlight, Shadows, and a Supper Club.”
Elizabeth and I are homebound. She, a writer of poetry and prose, is bound to Mersea, a 1904 white Victorian nestled in the historic district of a South Carolina shrimping village. I am bound to Maplehurst, a red-brick farmhouse built by Pennsylvania Quakers in 1880. We are both writers, wives, and mothers, but nearly twenty years and hundreds of miles lie between us. This season, as winter turns toward spring and Lent leans toward Easter, Elizabeth and I are writing letters, she beneath the pines and pecans, I beneath the hemlocks and maples. We will reflect together on our homebound journeys. We will explore the bonds of love and faithfulness that tie us, and not always easily, to these particular places and to the people sheltered within them. Please join us for an epistolary exploration of love, loss, and restoration.
Read Elizabeth’s letter of March 3 here. My response is below.
March 6, 2017
In my third-floor office, tucked up in an armchair near the window
You write of pansies and roses and blooming cherry trees, and I imagine a scented floral carpet working its way across our country, south to north. I know a new season is on its way, but it is difficult to believe in spring while this bitter wind whips across my attic window. The temperature here at Maplehurst is predicted to fall to thirteen tonight. I am afraid that the swollen buds on my peach and apricot trees will not survive to bloom. Seasons do collide, as you say, and there are casualties. I am grieving the fruit we likely will not pick this July.
To invest in a garden is to have your heart broken on a regular basis. The more you pour in, the more you receive, but the more you also have to lose. In the past year or two, I have focused my gardening efforts on “extending the season of interest,” as it says in one of my gardening books. This means planting the earliest blooming snowdrops and daffodils and the latest flowering dahlias and windflowers. This week has shown me that in addition to the great joy of more flowers I now also have an extended season for potential heartbreak. My early “February Gold” daffodils were a lovely winter surprise, but now they look, from my window, like a child’s toys left out to be ruined in the weather. I should have gathered them all up, but I couldn’t bear to erase every last bit of golden yellow from beneath the hawthorn trees.
I had forgotten how slow the shift from winter to spring can be (two steps forward, one step back). Home restoration is the same. I sometimes think that every project we complete merely highlights the decay that remains in new ways. If I paint a wall, the ceiling suddenly looks dingy. If I paint one radiator, the peeling paint on the others stands out more than ever. I recently painted the trim down our back stairs, but now the cracks in the plaster wall are all I can see (two steps forward, one step back). If I struggle to know where to begin, I also struggle to decide when, and where, to stop.
You write that the slow process of transformation shapes you, that it is formative. I agree, and yet I resent the slowness. If I could, I would snap my fingers – ta da! – and Maplehurst would be fixed, repaired, spruced up. This place, and everyone in it, would be healed. Made whole. But if I lost the process, what else would I lose? I know I would lose a great deal, though I am loathe to admit it.
Lent is indeed a sacred time. It is a season for active waiting. It is the season when I try to turn, deliberately, toward the source, like a daffodil turning its face toward the sun.
I set this letter aside when it came time to make dinner. Now a night and a day have passed. The cold did come. The daffodils no longer look like toys, but like debris that has been trampled underfoot. They are utterly wilted.
The bitter cold arrived with the first Sunday of Lent. In the morning, I read the Sunday paper and shook my head. I could not finish a single story because every one was breaking my heart. At church, we began our service, as we do every year during Lent, with a recitation of the ten commandments and a prayer of confession.
Now I recall what it is I hear when you say the name of your home Mersea.
Mercy. I hear mercy.
It is both prayer (Lord, have mercy) and statement (Lord, you are merciful indeed).
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Is misty and mild and not like January at all.
This is our fifth winter at Maplehurst, and we’ve never waited so long for real snow.
But it’s cold enough. The woodstove in the kitchen is pouring out heat while I study my stack of seed catalogs. I am often asked about my favorites. This year, I’ve ordered vegetable seeds from Seed Savers, Park Seed, Burpee, and Pinetree. I love the conservation work of Seed Savers as well as their highly curated collection of heirlooms, and I appreciate the very low prices at Pinetree (though, twice, my Pinetree seeds have been mislabeled).
I’ve also ordered flower seeds from Renee’s Garden Seeds and dahlias from Swan Island Dahlias. In a month or two, I may order a few new David Austin roses. Last year, I planted four Lady of Shalott shrub roses. While orange has never been my favorite color, the flowers have a great deal of pink and coral, and they were so healthy and vigorous and constant in their blooming that I fell in love. Plus, the name. I care very much about names in paint and roses and crayons, though not so much in lipstick.
If you are unfamiliar with David Austin roses, they are often called “English roses.” They are bred to look and smell like old-fashioned roses, but they bloom continuously. This year, I have my eye on Munstead Wood though I don’t yet know where I might put it. However, I never let that stop me.
Now you might be wondering why anyone would choose a once-flowering antique rose if they could plant a modern English rose. Personally, I love to plant both. The modern roses give me flowers in spring and fall (and frequently in-between), but the antiques put all of their effort into one extravagant spring explosion of scent and color. There’s nothing else like it. Besides, no one ever complained that a peony only blooms in May.
Besides seed catalogs, I am consulting my favorite and most practical gardening book: The Garden Primer by Barbara Damrosch. I am reading a recently-released book called Getaway with God: The Everywoman’s Guide to Personal Retreat by Letitia Suk. This one is a great resource for any woman considering a personal spiritual retreat in the new year. I am also finishing a library copy of Phyllis Tickle’s wonderful little book What the Land Already Knows: Winter’s Sacred Days. I may have shed a few tears when I discovered that this gem is out of print and used copies cost a small fortune. Now I know what to look for at the used bookstores!
In the kitchen, we’ve been enjoying Jenny Rosenstrach’s new cookbook How to Celebrate Everything. Attention: she has a recipe for a thin crust pizza with garbanzo beans (among other toppings), and it may be the most delicious pizza I have ever eaten. I know. I was skeptical, too. Now I want to eat it every day. It’s the perfect salty, savory pizza for winter. Possibly, I will tire of it in time to resume my homemade pesto pizzas in summer. Possibly.
Speaking of the kitchen, I have a new post up today at Grace Table. It’s a reflection on the new year, how to cultivate a habit of hospitality, and includes my method for home-brewed kombucha.
What new things are you most eager to see, do, make, or grow in 2017?
Happy New Year! Thanks, as always, for reading along. I am grateful for each one of you.
(P.S. If you’d like to make more frequent virtual visits to Maplehurst, I share a photo on Instagram nearly every day. I’d love to connect with you there.)