Summer Song (Feel Free to Cry Along)

Daughter and Dahlia

 

My children have spent the past week with their grandparents. Untethered from their needs, I spent the week living in my head.

Daydreams, interior monologues, thoughts, prayers, and wishes: the inner world is my favorite landscape.

It is quiet there, and I am all alone.

*

I set several overly-ambitious writing goals for the week. I also determined to catch up on every gardening chore and organize the house from top to bottom. In 90-degree heat.

It was a plan guaranteed to ensure that by the time my children returned, I would feel like a miserable failure who had squandered the most precious days that ever were.

The gardening chores have at least forced me to temporarily abandon my inner world. Daydreams evaporate very quickly when one is sweating, swatting mosquitoes, and cursing one’s inability to properly stake a sprawling cherry tomato plant.

Also, there are flowers. I am finding this summer that I do not think very much in the flower garden. There is something about the overpowering scent of oriental lilies that empties my head of everything else. Only a few days in to my full immersion in the life of the mind, I decided that it is a good thing to take a break from oneself. My inner world, as much as I love it, can be exhausting.

I do not think I would like to live there full-time.

*

Something else happened while the children were away: I turned on the car radio. I am not sure why I so rarely do that. Perhaps it is the demands from my little companions in travel for this music but not that. Perhaps it is my own need to control the tunes that tickle their ears.

I hopped in the car for the first time in days only because a few library books were due and our first bag of peaches was ready at the orchard where we participate in a fruit-share CSA. I do not think that anything less than library books and peaches could have convinced me to leave the quiet oasis of my child-free house.

Left to my own devices like that, I found myself punching the AM/FM knob. I had to take my eyes off the road for quite a dangerous stretch before my fingers found a tiny button labeled “seek.”

I don’t know what I was seeking, but a familiar voice filled the car. It was a childlike voice and instantly recognizable to me. I was a little girl in the early 80s, and the voice of Cyndi Lauper will always recall that one memorable sleepover when my best friend Michelle and I decided to find out how many times in a row it was possible to view that classic 80s film Girls Just Wanna Have Fun. I think we watched it two-and-a-half times through before Michelle fell asleep.

*

In April, in Texas, the very first person who greeted me when we arrived at the cemetery for Shawn’s burial was Michelle’s mom.

I was holding two children by the hands and feeling a bit dazed by the heat and the crowd and the terrible finality of a flag-draped coffin. I was searching for a path through the people who had gathered around a small tent and a few rows of folding chairs, when she suddenly appeared beside me and put her hand on my arm. I had not seen her in years, but I had no trouble recognizing the woman who placed our after-school snacks with such care on those tv trays, the same woman who never complained when Michelle and I brought home sticky gumballs we had spit out and saved from the gumball ice-cream cones we purchased at the mall.

*

I sort of love Cyndi Lauper’s strange voice. She always sounds a bit like a little girl, and my best friend Michelle will always be, for me, the little girl I loved best. I wish I could call her up and tell her that, but Michelle died in a car accident not long after I graduated from high school.

There’s a kind of epiphany that only comes when the music is turned up loud and you are all alone in the car. It’s a strange mix of sadness, joy, and gratitude.

Half my mind was singing Time After Time and the other half was recognizing what a privilege it is to sweat in my garden and run dirty, weed-stained fingers through hair that is beginning to gray. What a privilege it is to feel overwhelmed by four children, to bicker and then make up with the same man for twenty years. How glad I am for this life of interruption and inconvenience and heartache.

It’s a good thing to stop on a too-hot summer day and remember and cry for those who left us too soon.

We are following fast on their heels, but meanwhile, there are flowers to grow and meals to prepare and stories to tell. And there are songs to sing.

Loudly and with the windows rolled down.

 

These Farmhouse Bookshelves (In a Time of Violence)

(an installment in my occasional series of book recommendations; this post contains affiliate links)

Garden Harvest: Still Life

These are violent days. What good are books? Of what use is poetry?

In his elegy for W. B. Yeats, the poet W. H. Auden famously wrote, “poetry makes nothing happen.” Yet the poem itself complicates this view.

Poetry may or may not change a thing, but if we feel compelled to sing, why not sing, as Mary once sang, of justice?

If we feel compelled to read, why not shed the burden of our own particular skin and view the world through another’s eyes? For a little while?

Here is a poem for that.

Here is one more.

*

A favorite book on our family shelves is Brown Girl Dreaming, a recent Newbery Honor Book by Jacqueline Woodson. My twelve-year-old daughter and I both loved it. The poetry is accessible but incredibly rich.

In a similar vein, I recommend Inside Out and Back Again, by Thanhha Lai. Written in verse, this story communicates difficult truths and complicated historical experiences with grace and lyricism. It is one of the sweetest, saddest, loveliest books I have read.

When I was a new graduate student living on the south side of Chicago, I first read the classic 1952 novel Invisible Man by Ralph Ellison. That was years ago, and I don’t remember the book very well. What I do remember is the shock I felt reading a novel told from the perspective of a nameless black man. For the first time in my life I recognized how the skin we walk around in can remake the world around us. I had never even imagined a world like the one inhabited by this invisible man, but there it was, and while I read the book, I lived in it.

*

Like most summers, this one is too loud, too crowded, too hot. But, as I write in Roots and Sky, this cuts two ways. There are also too many lilies in the garden and too many squash on the vine. My way of dealing with the too-muchness of it all is what I call “comfort-reading.” This means I am finding most of my reading material on the shelf at my local Goodwill thrift store: fifty cent Agatha Christie paperbacks, an old Martha Stewart gardening book without its carefully photographed jacket, an Englishman’s memoir of life in Provence that must have been on everyone’s beach-read list the summer of ’89.

I revisited the Goodwill bookshelves only yesterday and found two treasures. The first was a copy of The Taize Picture Bible: Stories From the Scriptures in almost perfect, vintage condition. I have heard such good things about this illustrated Bible for children over the years, but it has long been out of print. I paid $1.97 and couldn’t believe my luck.

The second was a pristine paperback copy of Elizabeth Enright’s Thimble Summer, the winner of the 1939 Newbery Medal. I didn’t buy it only because I recently found a vintage hardback of the same title at my local used bookstore. It has been our evening family read-aloud for a week now.

My ongoing quest to discover read-aloud books all four of my kids will submit to listening to (actually enjoying the book is a higher standard; I am satisfied if two of four children say they “like” the book) has recently met with failure upon failure. The last success I remember is Laura Ingalls Wilder’s Farmer Boy, a book that has a lot in common with Thimble Summer.

*

On the recommendation of a friend, I recently began reading The Manor: Three Centuries at a Slave Plantation on Long Island. After my friend explained it was a book about an old house written by a landscape historian, she said, “I think you’ll like it.” I said, “I think you’re right.”

More factual and straightforward than a historical novel, yet much more readable and compelling than a history textbook, The Manor tells the story of one of the first great European houses in North America, and the family who lived in it and preserved its history for centuries. One house might not seem so important, but the door of this house opens up a story of northern slavery that has since been either forgotten or willfully ignored.

The first Sylvesters were Quakers, and the story of their lives is revising a story I have always taken pride in. My own farmhouse was built by Quakers, and I have long given credit for the beauty of this part of Pennsylvania to the generations of residents who have sown peace and justice into the very soil of this place. That story is still true, but The Manor tells an older, darker tale. According to this story, the blood of enslaved Africans touches every aspect of our earliest history and every one of my seemingly peaceful, green hills.

*

Seeds of brutality and injustice were sown into our country’s soil from its earliest days. It is a small thing to know that the atrocities of slavery on sugar plantations in Barbados could not have been sustained without the animals and crops raised on New England farms, yet somehow that knowledge has brought the shame of slavery home to my own heart.

Those Barbadian plantation owners lived in homes built like fortresses. They exploited, in fact, they brutalized their workers and so they feared them.

Slavery is long gone, but we still reap that terrible harvest. We worship safety. We are afraid of black men, but it is the black men, and their communities, who pay the price for our fear.

When I hear that one more police officer has killed one more black man, I cannot throw a stone at that officer. I remember how, years ago, fear would rise up in me if I followed the sidewalk beneath a graffiti-splattered viaduct and saw a young black man in baggy pants approaching from the other direction. It took years of living in that south-side Chicago neighborhood to learn that I was always so much safer than any of those young black men. In ten years, I was never the victim of a crime, but neighbor after neighbor, innocent after innocent, male and female but always black-skinned, died of gun violence while I lived, untouched, in their midst.

Separation breeds fear, and fear breeds violence.

But if violence is a failure of the imagination, as the poet William Stafford said, then perhaps poetry can make something happen?

Comfort-reading has its place, but I must also read to bring dark things into the light. Especially, those dark things in my own self.

What if we tuned our imaginations to the songs of others not like ourselves?

If poetry makes beauty and creates hope, can it also help us to act justly and love mercy?

Can it help us walk humbly with our God?

*

With these questions in mind, do you have any book recommendations for me?

If you are looking for a quick Saturday read, here is my latest post for Grace Table: “What Hospitality Looks Like In A Castle.”

Life Right Now: Summer Snapshots and Links

Balloons for Adam

 

Life right now is the first day of summer and the longest day of the year.

This is the day that brings us nearest to that time and place when “there will be no more night” (Rev. 22:5).

But even the night is brighter than most. As the ripe moon rises, it scatters the last few tattered clouds until it shines like silver in our faces.

“Look!” I tell my two-year-old nephew. “A strawberry moon!”

“Yes, Auntie Christie,” he says. “A watermelon moon!”

*

We wander down the avenue while fireflies come out to play. They buzz and snap. It is a fireworks extravaganza for the fairies.

My sister catches one in her hand, and we crouch, there, on the edge of the driveway, with firefly light in our eyes.

*

One more night, and I sit with my four children at a memorial service for a child.

The room is decorated with twinkle lights. We are indoors, but here is the night sky. Here are the summer fireflies.

After the songs, and the words, and the prayers, we step outside and into the setting sun. Everyone holds golden balloons on golden strings until – a whistle and a cry – we let them fly.

“These balloons are for you, Adam!”

“Balloons! For you!”

*

The kitchen is filled with balloons.

“Happy birthday!” they say. “Happy birthday,” everyone sings.

It is my birthday. It is my son’s birthday.

“This is the day, more than any other, when I confront the ties of love that bind me to the living and the dead. The old world and the new” (Roots and Sky, p. 174).

*

Death, where is your sting? What victory do you have?

You are so small I cannot even see you. You are blotted out by this bright summer light.

But, Life, oh, Life. You are so full. You are as weighty as the dropping sun. You are as sharp as the silver moon. You dazzle my eyes, and you break my heart.

Like the Israelites of old, when I see the fire and the glory belonging to the Lord of Life, what can I do?

What can I do but kneel with my face to the ground, saying, “He is good; his love endures forever” (2 Chron 7:3).

*

Three posts for you on my birthday:

In A Land of Small Wonders (written for Emily P. Freeman)

Why I Grieve On My Birthday

Why I Give Thanks On My Birthday

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